Reclaiming A Paint-Slathered BDP Shell (NSMD 14.4 Continuation)

Other than rewrapping, there weren't too many alternatives for fixing the BDP wrap. This was a very thick and tough coat of varnish and the plastic wrap was even less resistant to scratching and chemical attack than the Resocoat. Seeking the perfect solvent, I tried many different products on the varnish. I experimented with all kinds of strippers, including the citrus variety, and other agents, such as lacquer thinner, fingernail paint remover, graffiti remover, alcohol, adhesive remover--even wet-sanding. Everything I tried was either too aggressive, too slow, or too rough on the 40-year-old wrap.

After all this, I decided to return to the Formby Refinisher. It was effective, yet less aggressive than conventional strippers. I just had to develop a way to slow it down a bit, so I could remove the varnish in layers and stop short of fogging the BDP wrap.

To accomplish this, I decided to dilute the refinishing solution. My testing revealed that 3M General Purpose Adhesive Cleaner was one of the only solvents that did not harm unpainted BDP wrap. It proved to be miscible with the refinisher, so I combined them in a shallow dish.

As one might imagine, this was a very volatile and toxic-smelling brew. It's also highly flammable. When working with chemicals of this nature, the workspace should be well-ventilated and far from any sources of ignition. I chose to work outside in a breezeway. This stuff will make your fingers burn, if they are not protected, so rubber gloves are also required.

I tested on the bottom of the bass drum. Once I was confident in my chemical concoction, I stripped the hardware off the 8- by 12-in. tom. I started with this drum because it's small and I was anxious to incorporate it with another Ludwig keystone BDP set. I removed everything except the five-digit keystone badge. To keep the drum as original as possible, I discreetly numbered the lugs so that they could be remounted in their original positions. And, I stored the fasteners in their original holes.

With lugs, muffler assembly and mount casting removed, it was evident that the Rembrandt who varnished this shell, had not bothered to remove the hardware. This was good because it provided 12 baby-lug-shaped examples of what the wrap was SUPPOSED to look like. There was one other plus: The varnish had sloshed onto the lugs and it appeared to have protected them somewhat from pitting. It came off the chrome easily with a little lacquer thinner on a rag. Mounting hardware and washers were easily purged of the interior paint after a short soak in lacquer thinner. An old toothbrush worked well for getting buildup out of inside corners on the hex-head mounting screws..

I masked the badge to protect it, and was now ready to begin the stripping process. I applied the solution with terrycloth rags instead of the recommended #0000 steel wool. The steel wool is faster, but it's more abrasive and will scratch the soft wrap. Cloth requires more elbow grease, but it works without scratching. The used rags are, of course, highly flammable, so must be disposed of properly.

I worked in small sections, dunking a corner of the rag in the stripping solution and rubbing the shell. As the varnish dissolved, the rag turned yellow with gunk. I added just a little adhesive cleaner diluent at first, then increased the ratio as I got closer to the actual wrap surface. I would rub off a layer, then wipe it with 100% adhesive cleaner to stop any further stripping action. The key is to control the stripping to one layer at a time. During the process, the wrap sometimes looks rough or "burned" by the solution. However, this is actually dissolved varnish that is still clinging to the wrap. Continued rubbing with a 50:50 mix of stripper and solvent will eventually remove it.

Too much rubbing will darken the wrap, however, so it is important to stop as soon as the yellowing and residue are off. The stripping process dulls the original sheen, so I followed by polishing the shell with 3M Plastic Cleaner, a quartz-silica/ kaolinite-based product. Other popular polishes, such as Novus #2 or #3 would likely work as well. The polish gave the shell an almost original-looking shine.

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Using a diluted stripping agent applied to a rag, layers of varnish were softened and wiped off the black diamond pearl wrap.  Varnish residue ends up on rag, so many rags are necessary to complete the job.  It's best to remove the varnish in layers, progressively diluting the stripping agent en route to exposing the actual wrap.  If the stripper is too strong, or work continues too long, the wrap will become dull and noticeably darker (see sidebar).
Using a diluted stripping agent applied to a rag, layers of varnish were softened and wiped off the black diamond pearl wrap. Varnish residue ends up on rag, so many rags are necessary to complete the job. It's best to remove the varnish in layers, progressively diluting the stripping agent en route to exposing the actual wrap. If the stripper is too strong, or work continues too long, the wrap will become dull and noticeably darker (see sidebar).


Interior view of 12-in. by 8-in. project tom (right) shows pinkish paint, which was applied over all the lug-mounting hardware.  The resonant side glue ring had been stripped and stained dark brown.  Nice, mid-'60s tom in original condition (left) shows how interior details are supposed to look.
Interior view of 12-in. by 8-in. project tom (right) shows pinkish paint, which was applied over all the lug-mounting hardware. The resonant side glue ring had been stripped and stained dark brown. Nice, mid-'60s tom in original condition (left) shows how interior details are supposed to look.

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