Reclaiming A Paint-Slathered BDP Shell (NSMD 14.4 Continuation)

BY: Ken Morrison
This vintage drum restoration project began a number of years ago when I responded to a local newspaper ad and purchased what was essentially a 1964 Ludwig Downbeat set in black diamond pearl (BDP). The set was in marginal shape--the 14- by 20-in. bass drum was peppered with 16 unoriginal holes. A peek inside the bass and toms revealed that the original white "Resocoat" interior paint had been sullied by an awful pinkish-tan enamel. The resonant-side bearing edges had suffered from stints as "concert toms." And, reinforcing rings on the resonant side had been stripped and stained dark brown. A "collector's set," it wasn't.

Due to the rare sizes and fact that very few vintage drums surface in my rural stomping grounds, I bought the set despite its flaws. The price was fair, and I figured the included cymbals and a mostly original, matching, Downbeat snare made it a good deal. The snare had been spared from the yucky interior paint and still sported its factory date stamp: March 2, 1964. Just three weeks after Ringo's first appearance on the Ed Sullivan Show, Ludwig's Chicago factory was surely buzzing the day this set was born!

As I was carrying the drums to my truck, the natural light revealed an ugly yellow-green hue in the BDP wrap. I thought it might be a 40-year coating of cigarette smoke--a common condition for club-weary drum kits. However, after I got the drums home and did a little preliminary cleaning, I soon realized that the yellow was there to stay. It was some sort of thick varnish or shellac that had been applied in many coats and yellowed drastically with age. Getting it off was going to be tricky, because conventional paint removers would no-doubt ruin the plastic wrap.

I sent a plea for help to the amazingly accessible and always accommodating John Aldridge--vintage drum authority and editor of this publication. I explained my problem and he recommended a tamer stripping agent--Formby's Conditioning Furniture Refinisher.

I began experimenting on the drill-devalued bass drum. The product seemed to work well at full-strength on the interior paint. Per the instructions, I applied it to #0000 steel wool and rubbed gingerly. The horrible pink coating came off fairly easily. But, it was impossible to remove it without also going through the original Ludwig "Resocoat" white. I'd hoped to return this drum to original condition, but conceded that the interior would have to be repainted. I visited the local building supply outfit with a clean and original '60s Ludwig tom, and the paint staff mixed up a near perfect match to the Resocoat.

Continue to page 2:
Garish yellow-green hue of this 12-in. x  8-in., 1964, Ludwig BDP tom was caused by multiple coats of varnish, which had yellowed radically with age.  Footprint of baby lugs shows how BDP should look because phantom painter did not remove them.  This heavy coating of varnish was a challenge to remove.
Garish yellow-green hue of this 12-in. x 8-in., 1964, Ludwig BDP tom was caused by multiple coats of varnish, which had yellowed radically with age. Footprint of baby lugs shows how BDP should look because phantom painter did not remove them. This heavy coating of varnish was a challenge to remove.



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