I am ashamed to admit it, but even as an amateur history buff, I wasn’t familiar with Farris. That all changed a few years ago with the purchase of an early 1960’s Rogers drum set that Farris owned and played. I will attempt to tell his story now as best as I can.
“Bill III and his Dad had been working with my company for nine months on my design of the FIRST digital drum set in the world (not analog). Selmer squelched the deal (Not Bill senior or III). The unit was to have Ludwig endorsee recordings as parts of the set settings.”
World renowned drummer, percussionist, and inventor Bob Gatzen passed away on December 29, 2023 following a nine year battle with Alzheimer’s disease.
Dino joined long-time friend Steven Van Zandt’s group – ‘The Disciples Of Soul’. Dino designed Steven’s first four albums between 1982, and 1989. He also recorded and toured with the group during that same time period.
Apparently, being one of the greatest Rock drummers of all time just wasn’t enough for Dino Danelli. Beginning in 1965, Dino began to experiment with painting and drawing. Soon afterwards, his incredible talents led to the creation of numerous album cover designs for the Rascals, Fotomaker, and Little Steven Van Zandt.
(Editor’s note: My friend, Nashville drummer Clifford Koufman, is currently making this film and is raising funds via Indie GoGo. In 1976 Bob Moses was the drummer on Pat Metheny’s first album, ‘Bright Size Life ’, which also featured Jaco Pastorius on bass. All drummers need to hear this recording of one of the greatest drummers in the world. Bob influenced my playing so much. I listen to this album every week. -George Lawrence)
Paul Wertico has always gone above and beyond the established definitions of ‘What Jazz Is’
Enjoyed listening to ‘Sherinian/Phillips Live’ so much that I must have played it over a dozen times…
A special limited edition version of Buddy Rich’s best-selling live album ‘Birdland’ will be released July 21, 2023 featuring an exclusive translucent red vinyl.
When Miles came to Boston to play Lennie’s on the Turnpike in 1967 my brothers and I were there. The band now included Wayne Shorter and Joe Henderson on tenors plus Eddie Gomez filling in
for Ron Carter. Needless to say, they blew the walls down. At one point Tony had played so hard that Miles jokingly threw a towel at him to wipe his face.
Jim delighted a packed audience at the 2022 Chicago Drum Show by giving a clinic sharing his personal experiences throughout almost 4 decades in the drum business. I have transcribed Jim’s clinic below for those who were not able to attend and hope you will enjoy Jim’s wonderful anecdotes and shared life lessons
In honoring his former boss, Mike wanted to focus on Herbie Hancock’s Blue Note period rather than the later funky stuff that Mike Clark is best known for.
This book is the most exhaustive and well written documenting of any drummer ever written. It’s the story of the man who conceived the modern drum set as we know it, and led the way for us all to play drum solos and be in the spotlight.
“Throughout his career — the live performances, studio recordings, method books, videos, drum-solo compositions, teaching — Ralph eschewed the usual trappings of success, and maintained his customary integrity and humility. He was an outstanding leader and soloist, with the sensibility of an ensemble player. He never flashed his superpowers, though he had many: flawless technique, stylistic versatility, laser focus, adaptability, eagerness to learn, calm temperament, dedication to his students, and professionalism at all times. His keen ear and obsession with tuning his drums helped make him one of the best sounding drummers on record.” -Ruth Underwood
As for Joe Sefcik, he was a bit intimidating if you hadn't practiced when you showed up for your lesson! You could feel his disappointment, but then he would show lots of patience, as any good teacher would, and get you back on track! -Rick Schlosser
…album titled Sing and Swing with Buddy Rich, recorded in 1955. This album is unique because Buddy is not the drummer (except for one out of the 5 songs,) rather, he sings on the full album. Buddy had not been featured as the lead vocalist in this caliber in the past. The reason he drums on one song is because there are no vocals.
Brian Dunne has played on thousands of gigs since his high school days - yet, Brian’s greatest notoriety comes from his longtime affiliation with the hit television series, ‘Live At Daryl’s House’ which is presently recording a brand new season – Brian is once again playing with some of finest musicians on the planet. He credits his success to networking and lots of luck with each new gig leading to something else.
Mr. Danelli, a protégé of the great jazz drummers Buddy Rich and Gene Krupa, merged percussive virtuosity with a rock sensibility. Like Ringo Starr of the Beatles, he set the template for the rock drummer archetype: disciplined and precise, but with a flair that drew the crowd’s eye. He would twirl his sticks — a trick he learned from his sister, a cheerleader — and throw them in the air, before catching them without dropping the beat.
I had some first-hand experience with Tony Williams while attending the San Francisco Conservatory of Music in1965 and several years after that.
Throughout his career Tony inspired countless drummers to strive for excellence and find their own voices, as he had done throughout his remarkable career. Drummers such as Terry Bozzio, Bill Bruford, Billy Cobham, Vinnie Colaiuta, Peter Erskine, David Garibaldi, Steve Jordan, Jim Keltner, Michael Shrieve, Steve Smith, Charlie Watts and Dave Weckl have all named Tony Williams as an important influence on their playing.
Three Dog Night added that Sneed "also an extraordinarily unique drummer who brought so much to Three Dog Night's sound." The late musician was lauded for breaking "many barriers both musically and culturally," with the band noting how "he also influenced countless other drummers with his amazing technique."
My teaching studio was directly across the hall from his, where he was conducting group classes. I could hear him in there sounding like he sounded on all those Miles and Herbie recordings. Cool stuff. Because we were right there close, we started hanging out after our teaching sessions and basically just bullshitting about everything.
Herbie Hancock taught me when I was young to follow my own light - not to get caught up in the latest thing, fad or person.
I was always totally enthralled by Tony Williams’ playing. Ever since I was first aware listening to him on Herbie Hancock's "Maiden Voyage" I was a total fan... Absolutely stunned by his depth, feel, and creativity. Also, he seemed completely fearless and willing to just completely throw it out there when the spirit hit him
Legendary drummer Mike Clark’s latest CD titled ‘MIKE DROP’ is another powerful example of just how incredible a player he is. Featuring Michael Zilber on saxophones, Matt Clark on piano, with Peter Barshay on bass…It was recorded at Oakland, California’s 25th Street Studio where the sound and clarity is amazing… According to Mike, most of the tunes were first takes - just the way he likes it.
Tony's band, Lifetime, was playing at Ungano's, so I went to check them out. I had a seat about six feet from Tony's left side, and not only was the band incredibly loud in this little hard-surfaced bar, but I walked away thinking Tony was playing a different instrument than I was. I don't think I learned or understood one thing he was playing... Just simply ferocious and amazing playing!
Jerry “JI” Allison, drummer for Buddy Holly and the Crickets and co-writer on some of their biggest hits, has died. He was 82.
I remember hanging out with Art on his birthday at one of the famed clubs here in New York called Sweet Basils. I said, ‘Art, Happy Birthday! So how old are you now?’ Art said, ‘I’m 65 years old.’ I said, ‘oh man, that’s beautiful.’ So the following year I’m hanging out with Art again on his birthday at Sweet Basils and of course I said, ‘Art, Happy Birthday! So how old are you now?’ Art replied, ‘I’m 65 years old.’ I said, ‘hmm, that’s interesting math.’ So later I call Freddie Hubbard at home, and I said, ‘Hey listen man, I was just hanging with Bu, it’s his birthday and he says he’s 65’ Freddie responded, ‘Man, he says 65? He was 65 when I was in the band.’ So, who really knows how old Art really was.
Hello drummers:
Many of you knew Bob Gatzen and Creative Music, a great drum shop in Wethersfield, CT, back in the old days, so wanted to pass on notice of his memorial service.
Trevor Davis