Collectors know this finish by two names; Ludwig & Ludwig and Slingerland named it Abalone Pearl and Leedy chose to name it Oriental Pearl. Per Rob Cook’s DRUM COLORS BOOK this finish was around from 1934-37.

This seems to be an uncatalogued finish as it is nowhere to be found -- that I know of -- in any Ludwig literature. I have seen 1 or 2 other Ludwig Butterscotch Pearl snares and I also own a Duplex Spirit of St. Louis in this finish so I personally know that this finish exists. So my best guess is that this is an uncatalogued or special order finish. As always I welcome any other information that may be out there regarding this finish.

I know these Ludwig 100 year anniversary Triumphals are pretty well known amongst collectors but there are some little known facts that you may enjoy and that add to the story….

“This drum is unique in that the White Marine Pearl (pyralin) has been expertly engraved, filled in with some type of ink or dye and embellished with blue and gold rhinestones. Engraving was typically restricted to brass shell snare drums of this era but gold plating was a catalogued option. This is most likely a one-off, uncatalogued special order drum.”

Looking at the outside photo one would think that this is a normal Ludwig 8 x 14 Super-Ludwig from the late 1930s..well, there is more to it that makes this drum a tad more quirky. The drum came to me 100% original and in excellent condition, no cleaning or polishing was necessary. The WMP is in excellent condition with virtually no yellowing at all. The white enamel badge is very clean with a tight, untouched grommet. Now for the quirkiness; looking at the interior photo you can see that the shell is aluminum with top and bottom maple 2” re-wrings. This leads me to the question was this a prototype snare or a special order snare?

A word about Leedy Oriental Pearl vs. Ludwig & Ludwig Abalone Pearl: Personally I think the two finishes are one in the same…

The Triumphal Model was Ludwig & Ludwig’s top of the line snare drum and sold for 125.00 in 1925. The Triumphal Model featured 24K gold plating with hand engraving on the shell, lugs and rims. Noted drum historian and collector Harry Cangany has stated his belief that there were only 12 of these Triumphal snare drums produced. The

Ludwig & Ludwig introduced Marble Pearl in 1928 and per Rob Cook’s book Drum Colors The Rebeats Color Swatch Book. This finish was listed from 1928-29, pretty short-lived and very rare. Personally I love the “ugly” finishes from the 1920s-30s.

--For those of you that are not familiar with 1920s-30s “Sensitive” models, all that you have to remember is that the “Sensitive” mechanism is the set of snares that are internal and under the top head with the exception of the New Era-Sensitive that has two sets of internal Sensitive mechanisms.

The 6.5 x 14 was another story...the shell came to me wrapped in lime green glitter contact paper. This looked – as my good friend John Aldridge would say – “as ugly as home made soap”, and it was.

Rob Cook’s Rebeats Color Book states that Rose Pearl was only around in 1929. 4 x 14 Tone Flange Artist Models are extremely rare. I know of only 3. I’d love to see photos of any others that may be out there.

*Slingerland used the term Opal Pearl but this finish looks exactly like L & L’s Peacock Pearl or Leedy’s Rainbow Pearl finishes.

“This drum has been nicknamed “The Dragon Drum” and was probably an un-catalogued one-off special order…

I think that this drum could have possibly been an un-cataloged special order. Everything points to a mid-1920s L & L DeLuxe snare drum (black nickel plating, 12 pt. floral engraving and DeLuxe copper plated/gold lacquered hardware) with the exception that the shell is nickel plated with the 12 pt. floral engraving showing through.

Leedy Rainbow Pearl was only offered in 1930. The finish on this shell is similar to a 1930s run of Ludwig & Ludwig Peacock Pearl (see photo) which makes sense as Leedy and L & L were both purchased by C. G. Conn, Ltd. in 1929 and these snare drums were literally built across the way from each other.

I got this drum from a European seller who has sold me a drum or two before. I usually don’t collect European drums but this one was intriguing enough and somewhat historical so I went for it. A special thanks goes to my good friend, fellow collector and restorer extraordinaire Emmanuel of olDrums Vintage & Custom oldrums@sfr.fr for helping me to identify and date this drum.

I got this one off of Reverb. This drum has been around for a while and the owner worked with me on an even lower price. WFL two-tone pearl drums are pretty scarce so this was a good drum to add to the collection.

The drum in this article has a “Stipelsilver” finish, same texture as Stipelgold but with a bright silver hue. I believe that this drum is a one-off/special order for a few reasons that I will explain

Hi all,

Well, Mark Cooper comes through again with this excellent example of a Silver Sparkle Model Hollywood Ace Radio King. Mark finds a lot of Radio Kings that are always in very good-excellent condition. This one will be added to the “Mark Cooper” wing of the Curotto Collection.

By Mike Curotto and Joseph Mekler

A lot of you fellow collectors know how excited I get when an ultra-rare snare drum comes my way but in this case I was more astonished at the restoration of this drum than I was at being able to add this drum to my collection. _ Mike Curotto.

The Bernie Mattison Radio King Model was first introduced in 1936 and had the tapped (no insert) lugs. I’ve dated the drum in this article at 1937-39 because the lugs have inserts. The 1937-39 Slingerland catalogs list this drum as the Band Model Radio King.

This one just came in from my good friend Mark Cooper of coopersvintagedrums@verizon.net I usually don’t collect European snares but this one is a very rare and cool drum.

Sea Green was in the Slingerland catalog from 1928-1938. Mark has dated this drum from 1939 to 1941. Mark has also mentioned this is the only Sea Green Radio King that he has ever seen...there is another...more on that later.

This drum was on EBay about 13-15 years ago. It was an early morning (1 am) ending auction so I waited up for it and sniped it right at the end. The drum was found in a closet at the Long Island Grotto #44 Masonic Lodge in Brooklyn, New York. There was a name pin that came with the drum so I googled Walter T. Morris, Long Island Grotto #44 and made some phone calls but no one was interested in helping me with the history of Walter T. Morris so I’m just reporting what I have in front of me.

*I am saying 1932-33 because of the internal tone control. Tone controls were first seen at L & L in 1932 and the Ludwigold option ended in 1933.

Steve Maxwell informed me last year that he was adding me to The Craviotto Drum Co. Education Endorsers group. That alone is a great honor but along with this honor I was also awarded a Craviotto snare drum of my choice!

This one is a blast from the past that I really never did an article about. This drum is on pgs. 14-15 in my book: THE CUROTTO COLLECTION. The story behind the purchase of this drum took a few turns for the worse before I was able to get involved. This drum was listed on EBay in the early 2000s. There were a number of bids, a lot of interest and the drum was reaching a pretty good price. All of a sudden a number of bidders withdrew their bids because someone had posted to the seller that his drum was a “6-lug” drum.

I just got this drum from my good friend and fellow collector Mark Cooper. This drum came to me in excellent shape so very little was needed to be done hence the short story.