The entire drum is bright gold plated. L & L did offer gold plating as an option so this drum could be a special order or the drum may have been plated after market.
Hello drummers:
Many of you knew Bob Gatzen and Creative Music, a great drum shop in Wethersfield, CT, back in the old days, so wanted to pass on notice of his memorial service.
Trevor Davis
The Ludwig & Ludwig catalog of 1937 offered a Super -Ludwig Drum outfit consisting of a 14”x28” single tension bass drum, 5”x14” Super-Ludwig snare drum in “Abalone Pearl,” plus various other traps and cymbals, but no ‘separate tension’ tom toms. Slingerland, however, did offer separate tension tom toms in its 1936 (and presumably 1937) catalog in “Abalone Pearl.”
Faster Still!!!
When a young drummer asks about the best way to develop speed, the usual answer is “practice slowly”. And no, that's not an oxymoron. Your ability to play fast is 100% determined by the amount of control you have over your limbs. And the best way to develop control is through … wait for it … slow, regular, mindful practice.
In the beginning of Japan’s rise of drum making in the early 60’s all of the major manufacturers in one form or another used Slingerland’s styling in the making of their own drums. Some of these companies were simply inspired and a few crossed the line into infringement, either way Slingerland just let it happen
In 2010, I purchased a 4.5 x 14 White Marine Pearl Broadway New Era snare drum from Soul Drums in Toronto. Over the course of time, I traded the drum to Century Drums, previously located in Toronto, for another drum. I regretted that decision and kept my eye out for a chance to buy another one. Luckily just last year, Soul Drums had another 4.5 x 14 Broadway New Era snare only this time in Red Sparkle finish. I’m not parting with this one.
My friend and fellow drummer, Lucas Jacobson, died on March 21st at the age of 66.
“See you in the funny papers”
You may ask, “Ulysses what if I don’t play gigs requiring brushes?”
I believe for any musician who plays the drums, it doesn’t matter. Learning the brushes is part of your due diligence on the drum kit.
I am ashamed to admit it, but even as an amateur history buff, I wasn’t familiar with Farris. That all changed a few years ago with the purchase of an early 1960’s Rogers drum set that Farris owned and played. I will attempt to tell his story now as best as I can.
Here is a great example of a 1954 Leedy & Ludwig 6.5”x14” Dance Model snare drum in white marine pearl finish in outstanding condition without any blemishes.
NEW mid monthly newsletter of DrumSellers listings and other classified info launching in March
My new Dave Garibaldi Signature Snare
I’m Looking for Leedy 30s Broadway Standard COB hoops
New cartoon and funny pics blog post
I have wanted this drum for a long time but they became increasingly hard to find after they were discontinued.
Almost all of the stencil drums in the 60’s & 70’s came out of five factories in Japan. Today we can tell most of the time which factory made what, because each factory made almost all of their own distinct parts. - Marc Patch
Mostly about cleaning Paiste cymbals but applies to Zildjian, Sabian, Meinl, B8 and B20 cymbals as well.
I started to conceptualize this many years ago following a glimpse of a SS Ludwig Timp-Tom trio set.
After making a trade with a fellow drummer and friend for a beautiful original set of Timps recently in 14”, 16” & 18” I got to work
Valencia drums were Pearl’s lower-priced kit during the 1960’s; similar to Ludwig’s Club Date and Slingerland’s Stage Band outfits. These drums were traded in at the Memphis Drum Shop several years ago by the original owner. They were purchased new in Japan while the owner was stationed there in the service.
“Bill III and his Dad had been working with my company for nine months on my design of the FIRST digital drum set in the world (not analog). Selmer squelched the deal (Not Bill senior or III). The unit was to have Ludwig endorsee recordings as parts of the set settings.”
I was very fortunate to be able to buy this drum from a new friend, Bob Campbell, who lives in the US. I had been looking for this drum for years.
Some of you may disagree, but to my mind playing time behind a drum set, whether it be rock, jazz, latin, or any other genre of music has to do mainly with the cymbals and snare.
just how do you decide whether you are going to do a job when there's no money to be had. In short, WIIFMAMB (What's is in it for me and my band)
Need a smile? Need a good laugh?
Recently a “drums for sale” post popped up on my Facebook page listed on a drum sellers group. It included two 70s WMP Slingerland kits configured as a Buddy Rich kit
Enter John Crocken’s contest to win his newest invention, the Speed-A-Beat roller ball module accessory for bass drum pedals.
Then Mose turned to me and said, “Here’s the drum rap. No hi hat on two and four, no sidestick, and when you solo just play as long as you want to and you can either stop and I’ll start the rest of the song or you can try to cue us in.” OK, I’m thinking let me unlearn, in one night, everything I know about playing jazz drumming that I learned at North Texas State University .
It is a ‘One Of-A Kind’ treasure in that it is the first (right side) mounted tom Gene used with the Benny Goodman Trio/Quartet in the 1936 period.
I was looking for one of these beautiful drums to add to my collection and found this one on drumsellers.com. I was able to contact George Lawrence who did a great job in helping me obtain it from a collector who was selling some of his collection
Allow me to introduce you to my Rare 1959 Slingerland Drum Kit No. 27!
This outfit is very interesting and rare for several reasons. To begin with, the snare drum itself is in absolutely extraordinary new condition with ZERO fade, modifications or damage
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Ask a musician what kind of time signature is 9/8 and you’ll no doubt get the answer, it’s compound time.