I'm listening to a friend's playing on an instructional CD. This guy is a great player, and his tracks here are very impressive. I absolutely love what he's doing. So I'm envious -- no surprise there. And I'm also feeling a bit guilty. Guilty? Now why would that be?
Read moreThe Most Important Sticking Ever?
Watch any drummer in any situation -- especially during a drum solo -- and you'll probably see a rather ordinary figure. And you'll see it a lot. That's because the sticking is simple, versatile, easily executed, and very effective … and it‘s a lot of fun to play. It's this one: RLL (or LRR if you prefer).
Read moreMeter Modulation
The musical challenges of phrasing across bar lines and changing meter.
Read moreDo Not Open until Christmas
In case you get bored after opening all your gifts. These were inspired by Pancho Branas.
Read moreSmoothing Out the Long Roll
Mat Marucci's performing credits include jazz greats Jimmy Smith, Kenny Burrell, James Moody, Eddie Harris, Buddy De Franco, Les McCann, Pharoah Sanders, and John Tchicai among others and has numerous critically acclaimed recordings to his credit as both leader and sideman.
Mat is the author of several books on drumming and has written numerous articles on drumming for Modern Drummer and Downbeat magazines. He is an endorser for Zildjian, Vic Firth, Remo and formerly both Gretsch and Mapex.
Mat's latest books with Mel Bay Publications are 'Mastering The Snare Drum' and 'Essential Snare Drum Exercises' (both reviewed on Not So Modern Drummer) and 'Jazz Drumming Essentials....And More.' His music and discography can found at Spotify.com and Reverbnation.com and can be heard on most streaming platforms.
Coming to Grips with Grips
You’ve no doubt heard about the various alternatives for the lead hand (both hands in the case of matched grip): German, French and American. You may even have gotten into arguments about it. These variations are relevant to tympani and mallet players, but should drum set players be concerned as well?
Read moreDaily Rudiments
Not every drummer is expected to be a rudimental expert but familiarity with all forty rudiments is highly recommended for each of us. And it isn’t as big a chore as you might think.
Read moreRuffs & Rolls
Mat Marucci's performing credits include jazz greats Jimmy Smith, Kenny Burrell, James Moody, Eddie Harris, Buddy De Franco, Les McCann, Pharoah Sanders, and John Tchicai among others and has numerous critically acclaimed recordings to his credit as both leader and sideman.
Mat is the author of several books on drumming and has written numerous articles on drumming for Modern Drummer and Downbeat magazines. He is an endorser for Zildjian, Vic Firth, Remo and formerly both Gretsch and Mapex.
Mat's latest books with Mel Bay Publications are 'Mastering The Snare Drum' and 'Essential Snare Drum Exercises' (both reviewed on Not So Modern Drummer) and 'Jazz Drumming Essentials....And More.' His music and discography can found at Spotify.com and Reverbnation.com and can be heard on most streaming platforms.
We all know the standard short rolls included in the “Standard 26 American Drum Rudiments” and the Percussive Arts Society’s “40 International Rudiments” which are the 5-Stroke Roll, 7-Stroke Roll, 9-Stroke Roll, 10-Stroke Roll, 11-Stroke Roll, 13-Stroke Roll, 15-Stroke Roll and 17-Stroke Roll. But what happened to the others that are missing: 8-Stroke, 12-Stroke, 14-Stroke and 16-Stroke Rolls?
Read moreGoing Forward...Or Is It Backwards?
I’m in a drum shop owned by an excellent drummer and good friend of mine. My friend’s son was also a drummer and walked into the store. He went to a practice pad and told his father, “Check-out the new lick I worked-out” and proceeded to demonstrate it on the pad. The father said, “Yeah. That’s a flam paradiddle-diddle” or some similar sounding drum rudiment. The son said incredulously, “There’s a rudiment like this?!?.”
Read moreTake the 'N' Train
There are some interesting aspects to entrainment. For example, if you set a few metronomes at different tempos and then put them on a surface that can move a bit, the metronomes will entrain to one tempo regardless of the tempo setting (don't know if anyone's tried this with parrots).
Read moreMr. Nelson's Opus - A Tribute to Life Long Drum Teachers
Normally I write articles on vintage drums or drum history as I have a love for that stuff. I felt this article would be a great chance to pay tribute to those individuals that have taught drums for many years.
Read moreHaving fun with this one
3 over 4 overkill
Read moreThis got me over the hump
I’ve always had a slightly strained relationship with 12/8, so I decided to work on a lot of variants to gain some control. Results turned out to be better than I’d hoped for.
Read moreTrading Fours In A Contemporary Time Space
Keeping the ostinato in your solo keeps you honest.
Read moreSimple But Challenging
Here’s a set of exercises for those of us who want to develop faster bass drum technique but don't use a double pedal. I find this type of graduated arrangement yields greater freedom when applying it to music.
Read moreDon't-cha-wanna-dance?
No, actually, I don't. This came into focus for me some years ago. It was one of those wonderful, serendipitous, off-the-cuff remarks that ended up being a defining moment. I was at the wedding of a close relative and one of the bridesmaids came over to me and tried to get me to dance. I politely declined (I’m even less into dancing than I am into singing). Her comeback was rather convincing: “When you hear the music, don’t you just want to get up and dance?” My response was even better: “No, I want to sit down and hit things!”
Read moreis this even a rudiment?
It occurred to me recently that I’d never seen anything on Double Paradiddle-diddles. Don’t even know if they’re a thing, but interesting nonetheless. I started by doing them hand-to-hand.
Read morePutting Your Finger On It - Part 2: The Thumb
My teacher used the expression "Feel the money." It was a reference to using the thumb the way you would to count out paper money. In effect, you use the thumb to help push the stick forward, causing it to arc around the first finger. If you're looking for pinpoint control and articulation on the cymbal, this is the way to do it.
Read morePutting Your Finger On It, Part I - "Regular Grip"
A lot of drum instruction focuses on hand and wrist movement. While it's important to understand these broad strokes, it's also important to look inside hand technique to see what's really going on. Each digit has a role to play in the grip and the stroke, and understanding what each finger is capable of can make a big difference in your playing.
Read moreCovid-19 Can't Stop Dave Grohl/Foo Fighters inspired Group Therapy
In addition to Dave Grohl, mentors Bill McFadden and Rodney Pino (musicians/ bandmates, and owners of No Nuts Cymbal Sleeves), started their first session with an electrifying drum circle that transformed a room full of reticent kids into a group of laughing foot tapping, and drum beating teens.
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