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The first vintage & Custom Drum Magazine, since 1988
The Triumphal Model was Ludwig & Ludwig’s top of the line snare drum and sold for 125.00 in 1925. The Triumphal Model featured 24K gold plating with hand engraving on the shell, lugs and rims. Noted drum historian and collector Harry Cangany has stated his belief that there were only 12 of these Triumphal snare drums produced. The
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This is a 1927-29 NOB 6&1/2" X 14" Ludwig Supersensitive. It's a 2 piece shell with 10 tube lugs. It is 100% original (except for the heads) including top and bottom wires.
One lesson learned here is when you see a listing for a drum from 1976, think twice before believing that date. A related lesson is that if you have drum with a serial number in the lower part of Mr. Cook’s 917xxx – 1290xxx range, do not describe it as being from 1976. There is no harm just listing the serial number and letting others take their best guess. They will probably look it up online, and just perhaps they will see this article and think twice before declaring it to be from 1976.
Read moreSo overall, I would definitely recommend trying out the No Nuts products, especially the Cymbal Sleeves, as they really do make mounting and dismounting cymbals so much easier and quicker. The convenience factor is well worth the money in my mind. I like having alternatives to felt pads so the CymRings are a much better substitute. I don’t use a sizzle cymbal enough to justify the cost. Having a little ‘doodad’ like the SizzleNut that I can stick in my bag and pull out as needed is more practical. Think of it this way, for the price of 1-2 pairs of drumsticks, you could buy a set of Cymbal Sleeves, CymRings, or SizzleNut. Music is about experimentation. Try things out!
Read moreW.S. “Fluke” Holland, longtime drummer for Johnny Cash and Carl Perkins and the original drummer in Cash’s famed Tennessee Three backing band, died Wednesday at the age of 85.
Dubbed the “Father of the Drums” by Cash, Holland died at his home in Jackson, Tennessee, following a short illness
Read moreBack at Berklee College of Music in 1973, I had become friends with Steve Smith. Of course, we came to a common denominator – Tony. Steve and I talked about muscle cars. Steve was driving a 1968 Camaro back then. He asked me to meet him in front of the 150 Massachusetts Avenue building around 7:00 pm or so. I got into his car and immediately felt like I was at home - a muscle car, 12 pack of beer, and Tony playing on Steve’s car stereo!
Read moreThree songs that accompany this book.
As I sit here wondering when life will get back to some sort of normal, I am pondering what to write about in a drum article that would make for a good distraction, yet relate to the state of things in the world today. One such drum that comes to mind for me is this WW II era Victorious snare drum. The very name Victorious is something that I think is appropriate because in due time, I feel we will all emerge stronger and victorious from the effects of Covid
Read morePlease allow me to introduce you to my WWII Restriction 1943-1944 Leedy Dreadnaught Victor Set In White Marine Pearl. I usually can finish a full set restoration in approximately two weeks, this set took almost two months. 11”, 13”, 15” 26”, 6.5” x 14”. It is simply gorgeous now.
Read moreSeveral years later I had the opportunity to work at the same club as the Tony Williams Lifetime when they were touring and playing the music that was on the “The OLD Bum’s Rush,” recording. He already had the big yellow Gretsch kit by this time with the 24” bass drum and multiple toms. Each night over the course of the week the band gelled better and on the final night it was truly amazing. The entire night was smoking; one tune would have been worth waiting the week to hear, let alone the whole night.
Read moreHolding everything together at “Live From Daryl’s House” and keeping it “in the pocket” (with his baseball cap always on backwards), is the rather quiet and unassuming Brian Dunne on drums, who, for more than seven years, has been the rhythmic force behind “Hall & Oates”.
Read moreI like to mix things up with Stick Control. Here I’ve moved the figures to the snare and bass and laid a ‘funk’ ride pattern over top. These can all be played at the same tempo but the feel changes depending on where you put the hi-hat.
I had a lot of fun playing with both the Royal1 and ProFlex1. I’m not sure if anything has changed, but they seemed so much better than many of the earlier Attack drum heads I had tried a few years ago. These heads were more versatile, open and dynamic than I expected. I can’t personally answer the question about durability but will continue to play them and see how they hold up. I should note that drummer, Rick Meadors, recently posted on drumforum.org about his experience with the Royal1 drum heads stating that, “Attack's coating is darn near indestructible in my experience… I've had that head on that snare for about 8 months now and have played it A LOT! Probably close to two dozen gigs plus a lot of playing at home during the past few months.”
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“I was just thinking about all the great jazz artists that didn't get a break -- and are still bringin' it and growing. They are heroes in my book. I was lucky to get a bit of love that has lasted me a lifetime”.
Read moreLudwig & Ludwig introduced Marble Pearl in 1928 and per Rob Cook’s book Drum Colors The Rebeats Color Swatch Book. This finish was listed from 1928-29, pretty short-lived and very rare. Personally I love the “ugly” finishes from the 1920s-30s.
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Rob Cook, founder of the Chicago Drum Show and Author of "The Complete History of Leedy Drums" and "The Leedy Way", gives us the complete history of the Leedy Drum Company. The amazing story begins with U.G. Leedy producing snare stands in his apartment in Indianapolis and evolves into becoming the largest manufacturer of drums in the world. Rob also teaches us about George Ways involvement in the rise and fall of Leedy.
Read morePart 2 uncovers another piece of the puzzle of how cymbals made their way from the orchestra to the rock band: the bass drum pedal and a device called a "clanger."
Read more1929-1930 was an important time for the Leedy Manufacturing Company. After the company was sold to Conn, the entire operation was moved from Indianapolis, Indiana to Elkhart, Indiana. The new Leedy company immediately introduced several important design changes which placed them firmly on the cutting edge of drum technology.
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Ludwig's Use of Paper Labels in 1971/1972 - Date Stamps and Date Codes - Rick Gier sheds light on this mystery.
Read morePearls of wisdom and other worthless jewelry from the editor of this magazine.
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