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The first vintage & Custom Drum Magazine, since 1988
I’d like to start this story by both thanking and blaming Mark Cooper (Coopers Vintage Drums) J. Many years ago, I met Mark at one of the Chicago Drum Shows. He was sharing his fabulous collection of vintage green-wrapped drums from Slingerland and Leedy.
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“One of my friends leans towards a 1950’s type of playing… I’m sort of the 1960’s. We were kind of going back and forth about this. He’s in the Jurassic Period, while I’m in the Cretaceous.”
Read moreWhen you have been a collector, seller and a repairman as I have
for 43 years you are bound to have owned some interesting musical
instruments. Luckily I had the foresight to photograph many of these
instruments because I just don't see as many nowadays unless of course I
visit one of the national drum shows. 95% of the pictures you will see
in my column were drums owned by me at one time or another. Today we
look at some interesting Ludwig drum sets.
Ralph Peterson Jr., a drummer, bandleader, composer and educator whose lunging propulsion and volatile combustion were hallmarks of a jazz career spanning more than 40 years, died on Monday in North Dartmouth, Mass. The cause was complications from cancer, his manager, Laura Martinez, tells NPR Music; Peterson had been living with the disease for the last six years. He was 58.
Read moreDuffy Jackson, a drummer whose swinging exuberance propelled him from child stardom to a prolific career behind Lionel Hampton, Ella Fitzgerald, Lena Horne and many others, died on Wednesday in Nashville, Tenn. He was 67.
The cause was complications from hip surgery, Sandra Anton, his first cousin, tells WBGO.
Read moreHere’s a set of exercises for those of us who want to develop faster bass drum technique but don't use a double pedal. I find this type of graduated arrangement yields greater freedom when applying it to music.
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More ramblings from the guy who runs this joint.
Read moreThis 1939 WFL Paramount snare was produced in the year that Germany invaded Poland, and just over 2 years later, the U.S. would join the war. Bill Ludwig, Sr. had lost his name, much of his savings, and yet survived both the transition and WWII. In the end, his company thrived, and he regained his name. There is so much to be admired about Bill Sr’s. drive, fortitude, and relentlessness. This 1939 WFL Paramount snare is one representation of his work during this challenging time and embodies all those who appreciated its sound and construction over 8 decades.
Read moreLooking at the outside photo one would think that this is a normal Ludwig 8 x 14 Super-Ludwig from the late 1930s..well, there is more to it that makes this drum a tad more quirky. The drum came to me 100% original and in excellent condition, no cleaning or polishing was necessary. The WMP is in excellent condition with virtually no yellowing at all. The white enamel badge is very clean with a tight, untouched grommet. Now for the quirkiness; looking at the interior photo you can see that the shell is aluminum with top and bottom maple 2” re-wrings. This leads me to the question was this a prototype snare or a special order snare?
Read moreThese two snares are made out of the same constructed 6-ply shell - walnut (1) / ash (4) / walnut (1). Walnut is known for its classic and attractive characteristics for tone and visual aesthetic. Sonically, walnut’s tonal colors can be characterized as having a big and dark low end to it. On the other side of the coin, ash is known for its warmer highs and mids compared to maple. Having ash as the core and walnut as your outer plies allow you to obtain a lot of low end in the higher tuning range while not sounding “choked”. These drums will also have a deep and darker low end than maple. Both snares have a slight round over on the outer edge with a 45-degree inner cut. This allows the snare to give you both body and lively overtones.
No, actually, I don't. This came into focus for me some years ago. It was one of those wonderful, serendipitous, off-the-cuff remarks that ended up being a defining moment. I was at the wedding of a close relative and one of the bridesmaids came over to me and tried to get me to dance. I politely declined (I’m even less into dancing than I am into singing). Her comeback was rather convincing: “When you hear the music, don’t you just want to get up and dance?” My response was even better: “No, I want to sit down and hit things!”
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Our favorite picture of John, founder of Not So Modern Drummer and #1 DrumScratcher
I guess the main difference between collecting then as opposed to collecting now is getting to know the person who’s selling the drums as much as knowing about the drums themselves. Some of my best friends, people I met through collecting and custom drum building and engraving, came from a vintage drum transaction that took us a couple of weeks to accomplish due to the delays of mail, photography, and the phone.
Read moreThings affected him, and if he ever drew attention to himself, it was done peacefully and gently. Louie called this one "A Man and His Drums."
"I quietly, with Peace and Love, roar like the thunder in the sky and sound the heartbeat of life."
Read moreOn the day of the clinic I was looking out the front window of Creative watching as a Ford Econoline van pulled into the parking lot… Through the rear windows I could see Tony, his bass player, and a set of Canary Yellow Gretsch drums thrown in the back with No Cases !! OMG, I was star-struck - but it was kind of amusing because Tony’s drums were always bigger than life to me – And there they were just lying in the back of a van.
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When we got to my friend's home, he had the Slingerland set on the porch and also a big 26" Ludwig clear maple bass drum and 14"mounted tom there also. Along with these he had a few extra goodies that he was willing to sell as well. Well, what to do? Buy it all even if it's going to be tight in the car getting it home, that's what. My wife is a good sport, but this was trying her patience with me. I briefly thought about leaving her with my friend. No, I'm kidding, I was determined to get her and the drums home and not make the three-hour trip back to get all the drums. We were crushed in the front seats, but we made it safely back home
Read moreThat weekend an old friend of mine Pat, that has since passed on, (RIP Brother, and thank you for this) stayed up with me for three days straight listening to Pink Floyd as we cleaned, polished and assembled this pile into a usable drum set. It was mismatched colors of red. Some were sparkle and some were swirl pearl, and it was also different brands, Ludwig, Pearl and Slingerland etc...., I didn't care, I finally had my first real drum set that was all mine!
Read moreOne day in late 2020, I was doing my usual browsing through vintage drum-related social media posts and came across a 1936 Leedy & Strupe (L&S) white marine pearl drum kit for sale. This L&S kit consisted of a white marine pearl 14 x 28” bass drum (with calf heads), 9 x 13” tom (tacked bottom head), 6.5 X 14” snare, cowbell, and various hardware (original L&S bass drum pedal, hi-hat with lamb wool beater, Clamp-Rite trap holders, spurs). According to Harry Cangany (noted author, drum historian), this kit was, “a ‘Dictator’ model in white pearl (L&S name for white marine pearl)…1936 is probably correct.”
Read moreThis wonderful old wood kit consisting of 14x22 bass drum, 8X12 and 9x13 toms, 16x16 floor tom and the great cracking 5x14 Utility snare drum is the recording kit of studio dreams.
Read moreot So Modern Drummer continues to celebrate the life and music of legendary drummer Tony Williams in our new ongoing series. Chapter Eight presents the recollections of Adam Nussbaum.
Read moreIt occurred to me recently that I’d never seen anything on Double Paradiddle-diddles. Don’t even know if they’re a thing, but interesting nonetheless. I started by doing them hand-to-hand.
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