The color is also an absolutely stunning example of mid 60’s Oyster Black. It almost looks three dimensional and though Ludwig still had this color in 1968, it was slowly being phased out when Ludwig started using the bowling ball version. It’s actually pretty hard to match Oyster Black pieces as the pattern could change from batch to batch. All three drums have this beautiful match and the color is just hypnotic.
Busato was a recognized jazz guitar manufacturer in France, and he produced beautiful guitars, very decorated. He also produced accordions and top of the line drumsets, but drums production was only a small activity for BUSATO's workshop, so they are very rare !!
The set really has a unique look to it. I was unfamiliar with the wrap and when I was first sent the photos, I was immediately interested in the set. Further findings led me to see the Rogers version called Black Onyx. The drums were bought from a fellow vintage collector Butch Carlson who owns American Vintage out of Los Angeles. We had met at The Hollywood Drum Show years earlier and he also has provided me with the exceptional 1968 Ludwig Lemon Strata kit I wrote about in March 2016. Thanks again Butch!
Portions of this book sale will be donated to the Springfield Community School of Music. If you would like to donate to the Community Music School of Springfield visit the web site. http://communitymusicschool.com/ways-to-give/
The latest addition to the collection comes from my good friend and fellow collector Mark Cooper of Coopersvintagedrums.com I usually stay clear of Duco finishes as a good number of them have not fared well over the 80+ years but this one had two things going for it: 1. Red/Cream/Red Duco which I have never seen. 2. This is a 6.5 x 15 Broadway Parallel model which is somewhat rare.
At the risk of being accused of practicing sorcery, I assume you are a drum history buff. If, on the off chance, like me, you are also a movie buff and the subject of tonight's “Movie Quiz” meeting is Taxi Driver, I have great news. Simply reading the remainder of this article, you will impress everyone in the room and be the envy of all your colleagues. Are you ready?
This is a brokered set. Serious offers only. The owner will ship from Abilene Texas. 14 x 6.5 snare, 14x22 bs, 9x13 and 16x16 toms. 15" hats and 18" crash from the same era. In excellent shape. Please direct all questions and offers to George Lawrence either in the comments below or via email firstname.lastname@example.org.
Ringo used two Oyster Black Pearl Downbeat sets and two Oyster Black Super Classic sets during his Beatles career. One of the Downbeat sets recently made the news when it was sold at auction for 2.2 million dollars. That's a lot of money for a vintage Ludwig drum set. What made it worth so much? Only those who remember what the Beatles and Ringo, in particular, did for the cause of drumming will ever understand.
The old saying “the sun shines on a dog’s butt at least once a day” definitely applies here. I had just been collecting for over a year when this snare drum came my way. I noticed right away that it was an 8 lug, 2-pc., heavy brass shell All Metal Dance Model......
Why am I writing about a modern set of drums? Because I am one of those people that puts my faith in a product that is used time and time again, like my old Ludwigs. I know that my new Ludwigs will sound great at every gig and I can count on them to do what I need them to do. They still look as nice as the day as they came home with me and best of all they have shared a lot of gigs, late nights and long car rides with me. I plan on using these for a long time and when I am old and not playing much. These “vintage” drums will have a rich history behind them much like some of the vintage drums I own currently. Hopefully, someone else will take care of my drums and keep them in good shape for future generations as I imagine that these drums should far outlive me.
This is the only complete IMPERATOR MODUS drum set known to date ! This "Jazz" (drumsets were called "Jazz" in France before the WWII) dates from the late 1920s and is the "Luxury" model of the brand.... A full dress drum set decorated with marquetry and nacrolac (plastic pearl)...
This month’s installment of Vintage Happiness highlights a set I had been after for some time. There are many white marine pearl kits out there. It’s a fantastic wrap and it’s classy no matter what drum kit it’s on. But I had a specific kit in mind for my WMP. It HAD to be a Ludwig Transition Badge Era Buddy Rich Model No. 980P Super Classic Outfit. The reason: The sound. I had played a kit many years ago and was just blown away. They were some of the best sounding drums I have ever played and the 50’s are my favorite era for Ludwig drums.
In the world of vintage drums, there are those rare instances where an almost century-old premium drum kit survives the ages intact. Here is the story of one such time capsule, a stunning 1928 Ludwig Drum Kit with all of the cymbals, traps, drumsticks, banjo-style drum key, early 1900’s set list, and an enviably beautiful 6.5 X 14” engraved Black Beauty in De Luxe finish. This drum kit was handed down from grandfather to mother to grandson. What makes this kit so special is not just that it survived, but that we are able to hear the tale about the original owner and how it came to arrive one day at Jim Pettit’s Memphis Drum Shop. Craig Grotzky, grandson of Adolf Grotzky, was kind enough to share this classic American tale of survival through the terrible Depression Era as well as the important part this Ludwig drum kit played in their lives.
“I have an interesting snare drum: it is 5" x 14" bare brass shell and hoops. It was made in 1970's in Poland by Polmuz - government owned musical instruments manufacturer. Best to my knowledge it is a prototype drum. I got it from a guy who used work for Polmuz as a brass wind instruments maker. He acquired it when they were closing in 1990's. As you can see the lugs look similar to Ludwig Imperial lugs. Hoops look like a copy of Slingerland hoops. I've never seen a drum like this before - being a user of Polmuz in 1970 myself. No Polmuz stamp/markings on the drum - that again makes me think it was a prototype drum. The condition is very good. It still has original Ever Play /Premier/ made in England heads and New Era made in England wires. Polmuz was working with Premier back than. Let me know if a piece of rock hardware from behind the Iron Curtain will be of interest to you. The full name of the company is Polmuz Warsaw Wind and Percussion Instruments Factory founded 1953 Made in Poland. Best regards, Marek Piotrowski”
The late 1960s was the psychedelic era. Without trying to explain what psychedelic means I will just present the finish on this drum set to illustrate it. Wild and weird colors became part of what it was all about. Ludwig Drum Company produced three drum finishes that were truly wild and weird looking. The three were Psychedelic Red, Mod Orange, and Citrus Mod. This kit is a good example of Citrus Mod, the rarest of the three finishes.
This is a directory of over 700 brands of drums from all over the world, past and present. Along with the brand name is the era of the brand, the country of origin, and the official or unofficial websites or book titles for a reference. It is not a reading book but a reference list.
The wood Super-Sensitive with the decals that resemble inlays is an extremely rare drum. Back in 1985 I sent a picture of my drum like that to William F. Ludwig II and he called to give me some info on it. Those drums were made in 1929 when the Sensitive strainer was introduced. Supposedly, only 29 were made with the decals. Yours makes only the fourth one I've seen in all the years that I've been interested in vintage drums. That one is worth around $1500-$2000 but given your particular genre of playing, I would assume it's more valuable to you as an instrument. Just in case you ever need them, Mike Curotto has reproduced the internal (upper) snares for that strainer.
During Slingerland’s pinnacle time of manufacturing a drummer could actually request a special color order that they envisioned. Some of these orders produced were for a "mono" or one solid color lacquered painted finish. These unique finishes were much more uncommon to find on Slingerland drums of this vintage era. Here are four examples of Slingerland Radio King snare drums produced with "Solid" lacquer colored finishes.
This is quite likely a one-of-a-kind drum. Produced by the C.G. Conn Company as a special order/special occasion drum and/or a presentation drum purchased by, given to, or presented to H.M. Loomis at the time of the World’s Fair in 1893. How this drum was acquired by H. M. Loomis is unknown but the rest of the provenance is engraved on the shell of the drum: “H.M. LOOMIS WORLDS FAIR 1893.”
in the summer of 1982 my world changed when a group of kids that were 3-5 years older than me had a band and they played on the back of a trailer at the park. As I sat watching these guys play things I had never heard before like AC/DC, Aerosmith and Van Halen I was totally sucked in to each band member feeling connected to what was going on. I knew my small hands would never be comfortable with a guitar or bass and I also knew I would never have enough confidence to stand out front of a stage and sing. What really caught my attention were the drums! The drummer was only three years older than me and I will never forget seeing that 1973 maple cortex set of Ludwigs with the shiny hardware and hollow logo Zildjians. I wondered how this kid knew what to hit, where and when and how he knew how to make them sound the way they did.
I came across your website while searching information on an old drum and I thought maybe you could help us finding out information about it. There is no label on the drum. I would like to find out when this drum was made, possible by which company. Since it came to us from a good friend, we would like to to get to know about it...I attached some pictures.
Difficult to date precisely, but this model appears in a 1885 catalog, and a patent of 1887 represents a perforated snare drum... This model must date from the late XIXth, circa 1897... Nickel-plated metal drum shell, 15'' x 5,5'' for dimensions, with 12 skeleton rods (as Boulanger called them... His patent which revolutionized drum history), with very fine tension rods in 5/16 ... This snare drum was made for street bands… This ultra rare snare is more than 110 years old, but after restoration it remains a pure jewel !!
‘The Slingerland All-Metal Separate Tension Snare Drum is guaranteed to maintain its rigidity and its tenseness. It is unyielding to rough usage, due to the specially treated metal and its construction. One-piece shell and no solder used at any point.’
Here’s another unique snare drum that has just entered the collection. A special thanks goes to my good friend Bill Wanser of Olympic Drums & Percussion (Portland, Oregon) for making me a very fair deal on this snare drum and for his expert shell restoration. This drum was “ridden hard and put up wet” and needed a lot of work but I think that the finished product was well worth everyone’s efforts.
This month’s installment of Vintage Happiness is on a drum that has a great history as well as a bright future. About 2 years ago, my youngest brother made the rank of Chief in the US Navy. I wanted to congratulate him for his commitment to our great country in a special way, as he is also a drummer. And what better way than with a drum that was once owned by the United States Navy.
There isn’t a surplus of information concerning these elusive Butterscotch drums. There are only two complete kits known to exist and possible just a hand full of snare drums as of this writing. A theory is that Ludwig received a bad batch of Black Diamond Pearl wrap and proceeded to use the wrap regardless of the discolorations. The finish was later coined “Butterscotch” by collectors.
Whether we are willing to admit it or not, I think perhaps most of us at some point in time, have ruined a drum. With some, it was long before it was vintage. The need to make something playable, to fix something that was broken, to add something we needed at the time. Adding a mount, but not bothering to sufficiently plan out its placement, and in so doing created something that not only did not work, but, by its very nature, put an undue burden on the set. Changing mounts with “other” parts, drilling extra holes, making changes that for the moment, made the drum usable. However, at the same time, marring a beautiful drum with ugliness.