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The first vintage & Custom Drum Magazine, since 1988
This Multi-Model Marvel is truly a lovely drum and extremely well-preserved. The Marvel strainer works quite nicely and smoothly, applying even tension across all snares. So why do I think it wasn’t successful? First off, the bridge mechanism extends about 1 3/8” from the bottom. For snare stands of the time, this overhang could be problematic.
Read moreMany vintage drum enthusiasts have taken advantage of the existence of serial numbers on drums as a relatively reliable tool for estimation of manufacturing dates. Many have compiled lists of drums’ serial numbers and date stamps to understand and exploit the relationship between them. Most cared little about why the serial numbers were there, but were just happy that the serial numbers were there to provide a rough tool for use in dating drums. As one learns more about how drum manufacturers used serial numbers, one begins to question the reason that serial numbers were used at all.
Read moreThe William S. Hart All Gold snare drum, made by Ludwig & Ludwig in 1925, owned by one family since then, is about to see the light of day. Some lucky person is going to be able to buy it and I hope I get to chronicle the story. Donn Bennett is the broker - www.DonnBennett.com . Since William S. Hart started off as a Shakespearean actor, I will quote the Bard with a little bit of a change as I daydream about this drum….. “This is such stuff as dreams are made on”.
Read moreNot So Modern Drummer continues to celebrate the legendary Buddy Rich in 2017, recognizing the 100th anniversary of his birth. Providing their personal commentary on Buddy are: Harry Cangany, Marko Djordjevic, Billy Drummond, Jeff Indyke, and Steve Maxwell. ".....but, the videos don't even come remotely close to seeing Buddy in person. Johnny Carson (the king of late night) said it best. Johnny was an amateur drummer and loved Buddy. In remembering Buddy, Johnny related a story of how Buddy always cranked it up even higher on nights when other famous drummers were in the audience. He talked about Buddy appearing in a club in LA, and on this particular night there were maybe ten guys in the audience who were well known drummers, and Buddy knew they were there. Johnny said that by the end of Buddy's big solo, it was so completely amazing that these guys were openly crying." - Steve Maxwell.
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