I’d like to share some of our conversations in order for you to get to know Mike as I did, describe a few examples of his work, and also explain how his approach differs from that of other gifted hand engravers, like John Aldridge and Adrian Kirchler.
Read more"Lumo" - From Ronn Dunnett to Erik Laisi to John Van Ness
I had once heard African drumming master Baba Olatunji say that the relationship to his djembe was a "trinity". The soul of the tree it was carved from, the spirit of the animal whose skin made the head, and Baba's heart in performing with it were a sacred triangle of sorts.
Read moreReflections on Shelly Manne: Chapter 10
A ride beat moves itself ever forward, like a bicycle rolling along. And this part of the phrase, like the circle compared to the line, is where both the "hardest" and "easiest" parts lie. When played with fluidity it is rolling; a beautiful study of motion, grace and power. When played stiffly, it's like a mechanical device. Boring. Metallic. Uninteresting.
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