The late 1960s was the psychedelic era. Without trying to explain what psychedelic means I will just present the finish on this drum set to illustrate it. Wild and weird colors became part of what it was all about. Ludwig Drum Company produced three drum finishes that were truly wild and weird looking. The three were Psychedelic Red, Mod Orange, and Citrus Mod. This kit is a good example of Citrus Mod, the rarest of the three finishes.Read More
"Slingerland shells reached a new low in the early 1980s when they actually sold drums which were little more than cardboard tubes with pearl covering and some hardware slapped on. The tubes were sturdier than the mailing-tube type, as they were actually made from Sonatube. (Sonatube is used for telescopes and as forms for casting concrete pillars.) The basic material was nevertheless cardboard, and the bearing edges quickly lost their integrity."Read More
It's December and all I can say is, "where did the year go?" I can remember when I was young how it seemed like Christmas would never come. Now, it seems like the years are flying by. One thing never changes, when it gets Christmas time all the kids start thinking about getting some new toys. Even though I have joined the senior citizens rank, I like getting new toys myself. The drum from my collection I am featuring this month is sort of a toy drum. This Mastro snare drum was offered to the public as more than a toy and not quite a student musical instrument. It was another effort to supply young people, who had been influenced by The Beatles, with an affordable instrument. I have said it before, after The Beatles played on The Ed Sullivan Show, almost every young person wanted to play an instrument. The Mastro drum even had a connection with the Beatles.Read More
Standards have their own unique triangular shaped badge. The interiors of the bass and toms are coated with grey speckled paint, but some Standards have white painted interiors. Standards usually have smooth low mass lugs. If your Standard kit has Classic lugs that might also be correct. Ludwig would use the Classic lugs if they were low on Standard lugs.Read More
Slingerland drums are very cool drums. The set I am showing you this month was owned by the original owner since they were brand new, and I fell in love with this five piece set the first time I saw them.Read More
The Ludwig set I'm showing you from my collection is a real beauty. This is a very niceLudwig Super Beat set. I am not totally sure who started calling this configuration "Super Beat" but I like it. The set is a Super Classic set with a 20X14 bass drum. Since it has a 20X14 like the "Downbeat" and 16X16 and 13X9 toms like a "Super Classic" the collectors have named these sets "Super Beat".Read More
This past weekend my band shared the stage with another band at a local festival. The drummer for the other band had the drum set I knew as Bobby Rock's "Sistine Chapel" Peavey drum set. I could hardly believe my eyes.Read More
"Let it snow, let it snow, let it snow." I really don't wish for snow in the south. We are really not equipped too handle snow. A small snow storm will shut us right down in Georgia. I do like "the white stuff", though. Not the snow but white drums.Read More
.....he wrapped it in cardboard and put a few pounds of tape around it and put it on the Greyhound bus bound for a nearby town that still had a bus station. So the drum rode the Greyhound all the way to Georgia.Read More
This set of Ludwigs from my collection is covered in Sparkling Burgundy Pearl. This is one of the rarest sparkle finishes found on vintage drums today. Ludwig introduced this finish in 1967 having cancelled Galaxy Sparkle, the rarest of the Ludwig sparkle finishes.Read More
This set I am featuring from my collection is a 1970s blue Big Beat set. The clear and blue colors have been Ludwig's best sellers through the years. I suppose Amber and yellow also sold well thanks to the Bonham influence.Read More
It's really warming up for us here in the deep south. I hope your Summer has begun well. I got out early this morning to photograph this drum set for my article and I am still sweating all over the drums as I set them up. I know this set is not mint, but they are a good example of this attractive and desirable finish. I have been writing for the magazine for a while and the reason they keep me around, I guess, is because I am just a regular collector like most of you. I am not a super rich man with unlimited funds to spend on drums. Boy if I were rich I would go wild at the drum shows and keep E-Bay and UPS very happy. Instead, I save for a while and look until I find a kit or snare that really turns me on. I have bought a few pieces every year for the past twenty years, and sold a few pieces now and then. I have sought to improve the collection as I go along. I will buy a set in a finish I like, and when the set in the same finish in better condition comes along, I'll buy it and sell mine. I really don't consider myself a hoarder. I don't have five matching drums in the same finish or anything like that. If I have an extra drum in a finish another collector wants I share up.
The set I am featuring this month is a beautiful Ludwig Hollywood set from 1969. The wrap is Ludwig's exclusive Psychedelic Red Pearl finish. The big drum companies of that day mostly shared the sparkle colors and pearl finishes on their drums, but no other drum company dared to offer this finish, so it was only on the Ludwig sets. Ludwig tried two other psychedelic finishes on their drums, but they were not as successful in sales compared to this awesome finish. I don't have the time nor words to describe what psychedelic means to us who were from the sixties, but suffice it to say we loved everything psychedelic during that period of our lives. The wild colors are a part of that movement, and these drums are very colorful. Someone described this finish as looking like a "frog in a blender." The badges are the Blue Olive parallelograms that replaced the Keystone badges that year. The interiors are natural maple that has been clear coated. The sizes are typical for the Hollywood sets. Bass drum 22"X14", floor tom 16"X16", mounted toms 13"X9", and 12"X8". The snare is a 14"X5" chrome Supraphonic. This was the type snare that went out with most of the sets sold.
This was one of the earliest sets I bought when I started my collection. When I was in high school, a friend got a double bass drum set of Ludwigs in this finish. When I saw those brand new Psychedelic red drums I couldn't believe how spectacular they looked. I never got over that, so I went looking to recapture that experience by owning a set like those. I told my good friend Bill Pace, who actually had a vintage drum store at that time, to let me know if he found a set I could buy. He called me one afternoon with the news that he had a set in his store if I wanted to see them. I took my son with me to share the excitement. We bought them and I have certainly enjoyed owning them ever since. They are not perfect, as I said, but if you get a chance to buy a set like this in almost any condition you should do it. The finish fades with time and light exposure. The green color is the first to go. Even faded they are still desirable.
I don't know if this will make the editors cut or not, but I also included a picture of a Ludwig factory Psychedelic wood shell Supraphonic re-issue snare drum Ludwig made for me just before they re-issued the color on sets fifteen years ago. I along with others had requested Ludwig re-issue the finish, and so I got one of if not the first one. The head was signed by Bill Pace who sold me the original kit and by the "Chief" Mr. Bill Ludwig.
The Chicago Drum show in May was all I expected it to be. My only problem was I didn't have enough time to really dig in and see everything. My wife and I drove to our son and daughter-in-law's home in Charlotte on Friday. It was hard to sleep Friday night. I was extremely excited about going to the show on Saturday. My son and I started out early Saturday morning with a flight to Chicago. We rented a car and drove out to St. Charles to the fairgrounds where the show is held. I thought I would have plenty of time to see everything and visit with friends. There was so much to see and it was time to catch a plane back to Charlotte before I knew it. If I get to go back next year I will definitely plan to have more time. There were so many people there I wanted to talk to, and if I didn't get to speak to you, I'm sorry. I highly recommend that you go to a vintage drum show if you possibly can. Watch for announcements in the magazine for shows around the country.
The drum kit I want to feature this month is a beautiful set built by Drum Workshop. I know you are all familiar with the awesome drums this great drum company is making. The Collector Series is the flagship drums of Drum Workshop. They have the Aristocrat lugs like the ones made popular by George Way and Camco drums. Drum Workshop is built on the foundation of Way and Camco. The Workshop Series line of drums was the company's first attempt at a second line of drums. It was a set that was offered to the working and hobby drummer at a slightly better price, but still very high quality in every way. The most noticeable difference was the oval lugs instead of the round lugs. Another difference not so noticeable was the thin Keller shells without reinforcement rings. These drums sound fantastic. The first Workshop Series drums were limited in colors and sizes. That soon was scrapped because there were special orders for Workshop Series drums in special sizes and wraps. Drum Workshop officially only made the Workshops a couple of years, but continued to make them for special orders for quite some time.
The following information was gleaned from a drummer's forum. There was no name given, so I can't give proper credit. The facts are good and answers a lot of questions about these great drums.
BACKGROUND INFO ON THE DW WORKSHOP SERIES LINE:
"My drums are DW Workshop Series, made in the U.S. in 2000. There is much confusion surrounding this somewhat-rare line offered by DW.
I have read a lot of messages of people inquiring about DW Workshop series drums with most replies having bits and pieces of truth with some personal opinions thrown in. Lots of readers want to know about their quality and their price range. The Workshop series for the record were indeed 100% DW drums. They were manufactured in the USA (Oxnard), contrary to what some people have been stating. They were never made in Ensenada, Mexico. They were manufactured with what resembles the PDP lug to distinguish them from the Collector series.
They were built for only two years. They were made without reinforcement hoops, and were meant to be DW's good, mid-range product. Since they were just as expensive to manufacture as DW's Collector's Series, they were discontinued. Apart from that, they were favored by many DW endorsers in spite of the Collector's series.
They were DW's first go at manufacturing an American made "mass produced" set. They didn't offer the custom features like timbre matching and had limited finishes. The finishes were a high-gloss lacquered all-maple shell, or a Satin-Oil all-maple shell. The drums, aside from the different lugs, garnished authentic DW hardware as in the snare strainer. bass drum spurs and tom mounts. Again, 100% DW. DW dropped this line after about 2 years in production because they became too costly to produce, rivaling the production costs of their collector series, but they didn't carry the same retail price tag.
So with that, the line was scrapped in favor of the Pacific line. With the technology they gained making the Workshop series, they started to produce the PDP's in Taiwan. Pacific’s were not originally manufactured in Ensenada. DW chose to move the PDP line to Ensenada in the mid 90's to keep the costs down on the shipping tariffs from overseas and to be closer to the factory for quality control. But to state it one more time, the Workshop series was an American manufactured all-maple set. The sound is impeccable and they do not have the reinforcement ring for a broader sound, something DW is now offering (priced) on their Collector series sets. All the Workshop series drums have a DW badge with a serial number stamped on each shell stating "Made in the USA."
The Bottom Line Facts: These drums were "Made in the USA", with the same quality maple and parts that go into the Collector's Series drums. The only difference- apart from the differently-shaped lug housings, is that these have no reinforcement hoops. This difference is said to give them more sustain and a more open tone. I completely agree. I didn't buy these because they were less than the Collector Series: they just sounded better, more open, to me."
The toms on this kit I am featuring has a 10", 12" and 15" configuration. The bass drum is a thunderous 22"X18". The matching 14"X5" snare is also a very nice touch for this set. This set was obviously a special order and not a standard Workshop Series Kit. The tom sizes and the Ultra White Oyster wrap clearly had to be ordered. If you have a set of Workshop Series drums please comment. I live for your comments.
Hope you have a great Summer.
I have some great friends who love, collect, and play vintage drums. It is indeed a pleasure to share this common interest.
My editor has put harsh and undue pressure on us to get an article out in time for the Chicago Show. I'm kidding about the harsh and undue part. The editor is really a nice guy, and we all love him and appreciate what he does to get us out a magazine about our passion every month. If you don't think he is doing a great job, you should try to do it. I am hoping I can be at the Chicago Show this year so I can see all my collector friends, and share some time together looking at and hopefully buying some new "toys." Getting to know and keeping in contact with friends who love these old drums is one way to know about good deals for buying, and also it opens up contacts for selling your items when you want to or need to move something. I would much rather sell to a collector friend than ship a great drum off to who knows where. I am not knocking those who sell their drums out of the country, but once that Black Beauty leaves this country it's definitely gone for good. I will get some negative comments about this for sure.
The set I am featuring this month is a 1960s Gretsch Name Band set in blue sparkle. Sometimes I have to tell you why a set is cool, but I don't think I have to tell anybody how cool this kit is. The set is made up of : 20"X14" bass drum, 16"X16" floor tom, 13"X9" ride tom and a very cool 14"X5" matching snare drum. The snare has eight lugs and the Micro-Sensitive strainer. An alternative 22"X14" bass drum was also available in the PX4015 Name Band set 1961-1976. These drums sound great. The shells are six ply with silver sealer inside. The blue glass glitter finish is still very strong and vibrant on these fifty plus years old drums. It is a joy to own and play an old "round badge" Gretsch drum set from around this era. The die cast hoops and distinctive hardware give them a distinct look. What I would call a timeless classic look. They are truly beautiful.
I was saying how great it is to have friends who also share an interest in vintage drums. I bought this drum set from Bill Pace many years ago when I was just starting out collecting. One of my oldest and best "drum friends" is Bill Pace from Forsyth, Georgia. I have been friends with Bill for a long time, and I can truly say with all our drum trading he has always been fair with me. I have tried to do the same with all my drum trading as well. We need to have some ethics and deal with people in accordance with the "golden rule." You know that one, right? "Tell all the issues with the drum to others as you would have them tell all the issues to you." I know you do that already because you don't want a negative feedback. In the old days the only negative feedback was you got a bad name if you didn't deal fairly. Bill is quite a character though. He will work hard to get a good price selling his drums, but he will work even harder to get your drums at a good price.
The funny thing about this set I am showing you is it was bought by Bill at a pawn shop. When he bought the set the floor tom I now have with the set was not with them, instead the set had a MIJ 16"X16"" blue sparkle floor tom. It was a Jet model drum. When Bill bargained with the poor owner of the pawn shop he really focussed on the Jet floor tom. He acted so disappointed that the set didn't match etc. etc. etc. The set was sold for a lower price because of Bill's whining. He sold me the set as a "One Nighter Plus" which was listed in the catalog without the floor tom. I later added the floor tom I now have to make the set a "Name Band" outfit.
It's beginning to get warmer and there will be more yard sales, and sometimes drums appear out in people's front yards. I always brake for a yard sale to make sure there's not a sweet vintage drum for ten dollars in amongst all the junk. Check out the local pawn shops from time to time also. Tell the owner you would like a notification if any drums hit the floor. I have found some great snares and sets in pawn shops. Get your friends to be on the lookout for drums as they travel. I get a photo of a drum on my phone from friends quite often. Most of the drums they find are the newer variety, but I always tell them thanks for looking out for me. My friend Bill Pace puts an ad in the classified section in local towns. He says, "Old Drummer looking for Old Drums." It works for him, and he gets calls about drums families have in the attic. eBay and Craigslist aren't the only source of great vintage drums. Get out there and look for them, because if you don't, that brass Supraphonic will remain in that closet for many more years.
I have a real great set from my collection to show you this month. It’s a 1970s Ludwig Stainless Steel Hollywood Set. Ludwig introduced its line of stainless steel drums in the mid 1970s. These drums look so great and have a loud and powerful sound. They are also quite heavy. We all know John Bonham played a big Ludwig Stainless Steel kit soon after they came out with Led Zeppelin. The downfall of these drums was the cost to produce them. The same could be said about the Vistalite drums also. By the early 1980s the stainless steel shell drums were discontinued. They have been reintroduced in recent years for a limited run. The cost of the new stainless drums is very high. There are quite a few of these original wonderful sets out there for collecting and also playing. These drums from my collection are standard sizes: bass drum 22"X14, floor tom 16"X16", mounted toms are 13"X9", and 12"X8". The snare drum on display with the set is a 70s 14"X6.5" Supraphonic.
I have a couple of Stainless steel drum set stories I thought I would tell you. My good friend Lige Moore bought a great stainless steel set and loaned them to another friend. Our mutual friend's home burned with the stainless set inside. The Supraphonic snare drum was saved, but the rest of the kit burned. The shells came through the fire, but they looked pretty bad. Lige had a second 22" bass drum that I still have. I have his bass drum and snare drum in my stuff. Lige also gave me the shells that were burned, so I buffed them and sold them on E-Bay. They had no shine but they were still pretty cool. Another stainless steel story - I was doing some work for a man and the topic of drums came up. He told me he played and had a drum set in his house. I told him I also played and would really like to see his drums. I figured he would have an import set, but boy was I surprised to walk in to his drum room and find a flawless Stainless Steel set with all original hardware and Zildjian cymbals. I just never expected that set to be there in his house. He had bought them new in 1977 and he had never played them outside of his house. They were dusty and needed heads and a good cleaning to make them look like they had just come out of the music store. I asked him If he would like to sell them, but he said he didn't. I asked him about trading him a new set of Pearl or Tama drums for them and he said he might do that, but as of yet he hasn't. I'm not telling any of you where they are. I'm hoping he will let me replace them one day. My set is nice, but his is much nicer.
Make a comment if you have or play a Stainless steel drum set. I would like to get your feedback.
I really like Leedy drums. I know some of you share my passion for these fine American made drums. I just love the history of this company, and besides, the drums are high quality and beautiful. When I was a young boy there was a sign artist that lived next door to us. He painted signs for businesses and such, and he was a very good painter. On day I went over to his shop and there was a drum head he was painting for a local band. They were called The Wild Cherries. I remember the look of the letters on the head and what stuck out the most was the Leedy logo on the head. I had seen the Ludwig logo on Ringo's drum head and I was not as dumb as some people to think it was part of the band's name. I had never heard of Leedy drums and so I guess I was dumb at first to think the band's name was Leedy the Wild Cherries. I soon started learning information about Leedy drums from another drummer who told me they were the same as Ludwigs. That information wasn't exactly right even though Ludwig and Leedy were owned by the same company for many years, and Leedy and Ludwig were even combined for a few years in the early 1950s. Then I had a friend who had a set similar to the set I'm featuring from my collection this month. He told me Leedy was not just like Ludwigs they were just like Slingerland drums. He was also somewhat right, because Slingerland bought Leedy from Conn in the late 50s and basically made what some people call "Slingerleedys". This drum set from my collection is a Slingerland built Leedy set from the early 1960s.
Leedy drums from this era (1956-1965) are very similar in every way to Slingerland drums with the exception of the lugs and badges. This set is a 22", 16", 13" set in standard depths. The lugs are Beavertail Leedy Lugs. You will hear the expression "Art Decco Design" when referring to these sleek modern looking lugs. The blue oval Leedy badges have Chicago 48, ILL. USA on them. This will date them 1960's. The first Leedy badge Slingerland made was a brass oval that dates drums mid 50s. The first blue oval badge '57-'58 didn't have the 48 after Chicago. The rims are "Stick Savers just like Slingerland drums. The Finish is yellowed white marine pearl. The set looks almost butterscotch. The yellowing is not consistent over the whole set. Something interesting to notice in the photos are the unfaded areas on the kick drum. The set had a cloth muffler across the batter head with excess cloth covering an area on the shell. Where the cloth shaded the shell the finish is still white. There is another white area where the front calf head was not tensioned equally. The place where the head covered the shell is still gleaming white. There was also a small sticker on the bass drum shell by the badge, and on the floor tom shell that covered a small spot. If the drums had been kept covered by a sheet when not in use they would probably be a lot whiter than they are now after 55 years. Any way, I still love that vintage "vibe" these drums have. They are beautiful to me.
I always share my adventures in collecting, because it is a lot of fun and exciting to score a great drum set. I buy some drums on E-Bay and I am not at all knocking that method of acquiring vintage drums, although It is like fishing in a barrel. It's more fun, and you really feel like you have scored when you find drums at good prices from owners or unlikely places. I realize that's more difficult now and it's becoming more difficult all the time. These drums were owned by my great friend Butch Braddy. I've told you before that he has helped me get a lot of drums over the years. He is the sales manager of the drum department at a large music store in a local city. He gets the opportunity to pass on or buy a lot of great vintage drums. I am so glad he's my friend. If he is letting something go or thinning his collection, I get a call. I try to keep some cash ready for just such an emergency. He called me recently to tell me about this Leedy set that he was parting with. I was there to lift his burden as soon as I could get to him. Thanks, Butch for this great set. Until next time, always peek into those dumpsters. You never know when someone has tossed out a Leedy Black Elite snare drum.
It is hard for me to believe we are already in to February. Where did January go? My Mother told me when I was young and wishing for my birthday, Christmas, or school to be out that time would go a lot faster when I grew up. She was right, as always, and time now really get away in a hurry. I am looking forward, but not wishing my life away, to some great drum shows this year. I hope you can attend one in your area this year. Keep watching for the places and dates to be listed here in the magazine. Getting together with other vintage and custom drum collectors and players is always fun and educational. I am constantly learning information about vintage drums from my drum collector friends. A lot of my contacts and friends were made at drum shows.
I decided to feature a set this month for your enjoyment that I recently acquired. It's an early 1960s English Rogers set in rare Madi Gras finish. I have wanted a Rogers or Slingerland set in Madi Gras finish for years. I just love that finish. By the way, Madi Gras is this month in New Orleans. I've never been to Madi Gras, but I have that trip on my bucket list, but back to my desire for a Madi Gras drum set. I have been looking for a Madi Gras set to add to my collection, and as I was searching E-Bay a few weeks ago a set was there for sale. I really wanted them and had decided to place a bid when the end of the sale came around. I usually wait to bid until the end of the sale. I have jumped in right at the beginning, but usually I wait. Maybe you could leave a comment and share your E-Bay bidding strategy. The Madi Gras set on E-Bay was a Rogers set and that was fine with me. It's no secret to my readers that I love Rogers drums. While I was watching that set, another Rogers Madi Gras set showed up on Facebook. The set for sale on Facebook was the English Rogers set I am showing you. Yes, I made a deal with the seller and he shipped them to me from Canada. I am so excited about them.
English Rogers drums were made in the 1960s at the Boosey & Hawkes drum factory in London. They had Ajax three ply shells with reinforcement rings. The interiors are clear coated not painted like American Rogers. The lugs are Bread and Butter style, and the mounts are Swivomatic style, but they are different from the USA parts. The Madi Gras finish is also different from the American version, not as busy. The script logo badges also look different. The sizes of this set are: bass drum 20"X15", floor tom 16"X16", mounted tom is 12"X8", and the matching snare is 14"X5". Many of you know that Dave Clark of the Dave Clark Five played English Rogers drums. English Rogers drums were not a huge success, but they are very cool drums. Many collectors want to have a replica of John Bonham's set or a Ringo's set. I would like to have a red sparkle English Rogers set with a Dave Clark logo head. He was one of my greatest influences.
My set was owned by a member of the Toronto Symphony who brought them from England. When he returned to England to retire he left the set in Canada with a new owner. There is a cool Drum City London sticker on the bass drum. I was tempted to try to finish removing it. It looks like someone started to take it off but didn't go through with it. I have decided to leave it. It has been there fifty years, and it adds to the story of the drums, so for now the sticker stays. The man who helped me buy these drums from the owner who acquired them from the symphony percussionist was a super guy. He did a great job handling the sale and shipping the drums from Canada to my door. I want to thank him again for the great job he did. Leave a comment if you have an English Rogers set or if you liked Dave Clark Five. Keep looking in those unusual places for a great old drum.
I want to feature a 1960s Zim Gar stencil set from my collection this month. Most of you know these sets were made in Japan. Sometimes you will see them listed as MIJ drums. They were made at the Pearl and Star (Tama) factories and imported in to the United States as a cheaper alternative to the great American drums.Read More
This set is a beautiful blue glass glitter finish that has developed a texture. They are not smooth to the touch. It is uniform over the complete set. I would like one of the Rogers experts to shed some light on this mystery for me. The paper labels inside indicate that these are Cleveland Holiday models. The solid grey interiors indicates that these are early 1960s. I have been told the Cleveland and the Dayton models were both made at Covington. Production was later moved to Fullerton.Read More
The drum set from my collection that I want to feature this month is a 1960s Ludwig Downbeat Set in sparkling pink champagne pearl. Downbeat sets began in 1959. It is one of my all time favorite kits. I really love these drums for many reasons. Their sizes are one reason I love them. These are the size drums Ringo Starr played on the earlier Ed Sullivan shows. The Bass drum is 20"X14", the floor tom is 14"X14" and the mounted tom is 12''X8". Ringo referred to the Downbeat sets he owned as the "mini" kits. I used to have a hard time telling if a kit was a Downbeat set in photos, but I learned to count the bass drum T- rods. The Downbeat set has 8 lugs and the 22"X14" Super Classics have 10 lugs. Another way to tell is to look at the lugs on the mounted tom. The space is greater between the top and bottom lugs on the 12'' tom than the space on the 13" tom. The 13" tom used on the Super Classics has larger lugs, so the space between them is smaller.Read More