It's really warming up for us here in the deep south. I hope your Summer has begun well. I got out early this morning to photograph this drum set for my article and I am still sweating all over the drums as I set them up. I know this set is not mint, but they are a good example of this attractive and desirable finish. I have been writing for the magazine for a while and the reason they keep me around, I guess, is because I am just a regular collector like most of you. I am not a super rich man with unlimited funds to spend on drums. Boy if I were rich I would go wild at the drum shows and keep E-Bay and UPS very happy. Instead, I save for a while and look until I find a kit or snare that really turns me on. I have bought a few pieces every year for the past twenty years, and sold a few pieces now and then. I have sought to improve the collection as I go along. I will buy a set in a finish I like, and when the set in the same finish in better condition comes along, I'll buy it and sell mine. I really don't consider myself a hoarder. I don't have five matching drums in the same finish or anything like that. If I have an extra drum in a finish another collector wants I share up.
The set I am featuring this month is a beautiful Ludwig Hollywood set from 1969. The wrap is Ludwig's exclusive Psychedelic Red Pearl finish. The big drum companies of that day mostly shared the sparkle colors and pearl finishes on their drums, but no other drum company dared to offer this finish, so it was only on the Ludwig sets. Ludwig tried two other psychedelic finishes on their drums, but they were not as successful in sales compared to this awesome finish. I don't have the time nor words to describe what psychedelic means to us who were from the sixties, but suffice it to say we loved everything psychedelic during that period of our lives. The wild colors are a part of that movement, and these drums are very colorful. Someone described this finish as looking like a "frog in a blender." The badges are the Blue Olive parallelograms that replaced the Keystone badges that year. The interiors are natural maple that has been clear coated. The sizes are typical for the Hollywood sets. Bass drum 22"X14", floor tom 16"X16", mounted toms 13"X9", and 12"X8". The snare is a 14"X5" chrome Supraphonic. This was the type snare that went out with most of the sets sold.
This was one of the earliest sets I bought when I started my collection. When I was in high school, a friend got a double bass drum set of Ludwigs in this finish. When I saw those brand new Psychedelic red drums I couldn't believe how spectacular they looked. I never got over that, so I went looking to recapture that experience by owning a set like those. I told my good friend Bill Pace, who actually had a vintage drum store at that time, to let me know if he found a set I could buy. He called me one afternoon with the news that he had a set in his store if I wanted to see them. I took my son with me to share the excitement. We bought them and I have certainly enjoyed owning them ever since. They are not perfect, as I said, but if you get a chance to buy a set like this in almost any condition you should do it. The finish fades with time and light exposure. The green color is the first to go. Even faded they are still desirable.
I don't know if this will make the editors cut or not, but I also included a picture of a Ludwig factory Psychedelic wood shell Supraphonic re-issue snare drum Ludwig made for me just before they re-issued the color on sets fifteen years ago. I along with others had requested Ludwig re-issue the finish, and so I got one of if not the first one. The head was signed by Bill Pace who sold me the original kit and by the "Chief" Mr. Bill Ludwig.