One element that characterized Blaine’s drum sound was the lower tuning he used, which became the standard drum sound on rock recordings. “I came along at a time when drummers tuned their drums real high in pitch—real tight,” Blaine said in an April 1981 Modern Drummer cover story. “A lot of that was for technique so they could get a lot of ‘bounce to the ounce,’ so to speak. I tuned drums down to a normal, mid-range. I worked for many singers who liked the sound of my drums. When I started in the studios, some engineers would say, ‘You better tighten those drums up,” but the producers would say, ‘Don’t tell him what to do. We’re going for a different sound here.’”

Blaine also expanded his kit beyond the standard four- or five-piece drumsets that everyone was using at the time. “My set had 12 drums, which no one had ever heard of,” Blaine told Modern Drummer. “It really was a major change, which makes me very proud. I wanted a full, bigger spectrum of sound to be able to do more with drums.” He worked with Howard Oliver to build a larger set, which was soon marketed by Ludwig as the Octaplus. One of many songs on which that kit was featured was “Cherokee People” by Paul Revere & the Raiders.