Alan Dawson exercises in a New Orleans context

When I attended Berklee in the late sixties, I studied with Alan Dawson and couldn't endure his drive for perfection. I wanted to move forward in a quest for new concepts, and he wanted to make sure I dotted every “I” and crossed every “t.” Alan had the patience of a saint, while I was a child that couldn't get his pants up quick enough to get started every day.

Our personalities at the time were, in many ways, at polar ends of the spectrum; yet, his demeanor was easy going and he was easy to like. Alan would say, “Here's your assignment I expect you to put a lot of time into the concepts I give you,” which, in his delivery, might include a passive-aggressive tinge. Alan preferred to imply his core message, rather than just say it out loud. At the time I didn't get it: I couldn't wrap my little young-adult head around such nuance.

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1926-27 LEEDY 4 x 14 COLONIAL GOLD “FULL DRESS” PROFESSIONAL MODEL (Cat. No. 700G)

from Catalog “O”: “Contrasting shades of gold always create a beautiful effect---so, here we have blended a satin and a bright Nobby Gold finish that attracts and holds the eye like magic. Drums such as these cannot fail to help you progress. ‘Full Dress’ finish Drums are not a fad---they are here to stay.” Once again I learned something new ; I always thought that “Full Dress” meant the diamond shaped (and other shapes) pearls and sparkles that were applied to the factory finish on a shell.

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1956 WFL Buddy Rich Model Super Classic drum set

This is the earliest known set in existence of the finish made famous by the Beatles Ringo Starr, 8 years before Beatlemania hit in 1964. This finish first appears into the Ludwig catalog in 1959 where it can be seen on the Las Vegas Stand Up cocktail outfit. In 1956 WFL Drums biggest star endorser was the one and only Buddy Rich.

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