I never saw one of these in person and I never imagined I would ever own one, I’ve been looking for years.
Well, one popped up online and I couldn’t believe my eyes.
One of the Rarest Stands at Studio 3T
Drummer community & drum marketplace
The first vintage & Custom Drum Magazine, since 1988
I never saw one of these in person and I never imagined I would ever own one, I’ve been looking for years.
Well, one popped up online and I couldn’t believe my eyes.
“I went to a Steve Gadd clinic at The Drum Hang the other day and found him to be a very open and nice cat… Not defiled like yours truly - but hey, I'm workin' on it!”
Read more“I like the smaller bass drums, although I look better behind a larger one. It's all bout the look, you know. Ringo looked good behind a 20" bass drum, but Abe Laboriel Jr. would not look good behind a 20" bass drum.”
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“The Porcaro Family is heartbroken to announce the passing of our beloved Patriarch, Joe Porcaro. Surrounded by his wife Eileen and his family, Joe passed peacefully in his sleep on July 6 at 11:37 PM. Please allow a few days before reaching out with phone calls and texts. Given the enormous amount of people who Joe considered family and whose lives Joe has impacted, it would be overwhelming to respond just now. Please know that we so appreciate your love, thoughts, friendship and can’t wait to celebrate his amazing life with all of you."
Read moreThese steam bent single ply shells are built by Evan Thomas. They are used in our LaScala and other models. They are also for sale to drum builders as raw shells with or without drilling and cutting of edges, hardware holes and snare beds. They are built in the one ply tradition of Slingerland Radio Kings and other modern high end one ply brands like Craviotto, Noble & Cooley, etc. We keep a good supply of curly maple shells. Many other woods can be used. Call us for available woods.
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I teach at at Memphis Drum Shop and at my home in East Memphis. Lessons cost $30 per half hour, and $60 per hour. Grade school and college students usually take half hour lessons. Pros and working drummers usually take hour lessons. I teach remotely via skype, zoom, face time, etc.
Read moreA series about the sound effect instruments used in silent films 100 years ago, at that time known as "moving pictures," with host, Kelli Rae Tubbs and special guest, William F Ludwig III. The
Read moreJim has a deep family history that revolves around Slingerland drums dating back to when Slingerland was a guitar company. His great uncles and father were long time employees of the company running the woodshop, and Jim worked there in his high school years during the night shifts.
Read moreThe early 6.5 X 14” Black Beauties have increased in demand and value. Of these, the 6-lug engraved Ludwig & Ludwig Black Beauties are some of the earliest and rarest.
Read moreI was 63 and not happy about my life or career. I sat out on my back deck one afternoon to have a long talk with myself about how I wanted to spend the next phase of my life. I needed to re-invent myself again – and it needed to be a major re-invention.
Read moreIn 1934-5 Slingerland came out with the Broadcaster. Then oops, Gretsch said that’s our brand name, so Slingerland dropped that model name and the Radio King snare drum was born c.1935-6.
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When I was fourteen years old, I played drums on my first recording led by my brother Barry Miles that included Pat Martino, John Abercrombie, Lew Tabackin, Victor Gaskin and Warren Smith. The music Barry had written was different than anything I had heard until that point, so there was no choice but for me to figure out what and how to play something that would be the right fit, in my own voice. Knowing that Tony Williams had done that being so young, it inspired me to try and make that happen for myself.
Read moreConsider for a moment the following bits of wisdom:
• At a wine tasting: “We only drink merlot”
• From an online ad for a 16-inch cymbal: “I won't play it 'cuz I only play 18 inch crashes”
• And how about this morsel from years ago: “There’s no place for the saxophone in jazz”
It crops up all the time: the invisible, immovable line that divides the acceptable from the unacceptable.
Read moreSometimes a set just thrills you to no end and gets your heart racing, this is one of those sets. Allow me to introduce my latest addition to the Studio 3T arsenal. 1963 Slingerland Gene Krupa Deluxe Outfit No. 1N with the upgraded Solid Shell 1-Ply Radio King 3-Point Strainer Snare all in Sparkling Blue Pearl.
13”, 16”, 22”, 5.5” x 14” RK.
Legendary jazz-funk drummer Mike Clark presents his latest Hudson Music initiative - ‘The Post-Bop Drum Book’. Numerous topics include be-bop and post-bop drumming, advanced independence, developing the ride beat, phrasing, using the hi-hat as a fourth voice, and triplet variations are explained. Mike provides a totally complete overview of contemporary jazz drumming with performance concepts… Coupled with the impeccably written transcriptions of Towner Galaher… This is a must-have book for all serious drummers.
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Vintage, classic and antique cars are classified by the states and by insurance companies. There are monetary and legal ramifications of a car's age; insurance rates, allowed usage, registration fees, etc. And, of course, resale value. Much of vintage drums' classification comes from the world of cars and antique furniture and art, not grapes or wine.
Read moreShow Off Your Drums! at DrumSellers.com
Read moreMany vintage drum enthusiasts have taken advantage of the existence of serial numbers on drums as a relatively reliable tool for estimation of manufacturing dates. Many have compiled lists of drums’ serial numbers and date stamps to understand and exploit the relationship between them. Most cared little about why the serial numbers were there, but were just happy that the serial numbers were there to provide a rough tool for use in dating drums. As one learns more about how drum manufacturers used serial numbers, one begins to question the reason that serial numbers were used at all.
Read moreThis month’s drumming sung-unsung hero is Israeli-born Tal Bergman.
Read moreThe 6.5 x 14 was another story...the shell came to me wrapped in lime green glitter contact paper. This looked – as my good friend John Aldridge would say – “as ugly as home made soap”, and it was.
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