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“Always the students” Charlie Watts, Don McAulay, Jim Keltner
I have written a short piece in this issue about Charlie Watts and how he inspired and influenced me. A friend of mine, Jim Basile, said “Charlie Watts was the Mel Lewis of Rock. I can give no higher compliment. For those of you familiar with Mel Lewis, you'll understand completely. For those of you unfamiliar with Mel, you NEED to be.”
Read moreBand members from Skillet discovered Ledger when they attended church services in the United States, where she was living at the time, and asked Ledger to audition for an open drummer spot in the band. She has been Skillet's drummer and female vocalist since 2008, beginning with their promotional tour for the album “Comatose”.
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I’m in a drum shop owned by an excellent drummer and good friend of mine. My friend’s son was also a drummer and walked into the store. He went to a practice pad and told his father, “Check-out the new lick I worked-out” and proceeded to demonstrate it on the pad. The father said, “Yeah. That’s a flam paradiddle-diddle” or some similar sounding drum rudiment. The son said incredulously, “There’s a rudiment like this?!?.”
Read moreMy favorite finish on Ludwig drums is Oyster Black Pearl. I think every Ludwig collector loves this finish. When Ringo chose Oyster Black for his Ludwig drums, he made a great choice. They were perfect for the Beatles as they looked so good even on black and white TV. The 1970s version of this finish made a radical change. The pattern became bigger and the color became blacker. I love the seventies version of this finish, but I must admit I like the 60s version more. The Oyster Black finish survives to this day and the newer versions look great.
Read moreTrying to acquire all chrome Roto Tom’s especially the largest of 18 inches proved to be quite challenging. After a couple years of searching, bidding and buying all necessary parts and drums including entire collections to sometimes get just one piece I was finally ready to build the set.
George Lawrence, Jim Pettit, Greg Morrow - three VERY not so modern drummers! (at Memphis Drum Shop)
-Arnie Lang passes
-New England Drum Show postponed
-Summer of Soul a must see
-We are selling back issues of Classic Drummer/Vintage Drummer magazine
This pair is unused and quite extraordinary. What you are looking at is a pair of 1920s Slingerland Banjo & Drum Co. Gold Sticks Purple End with original water decal in their original box with inner sleeve. These are the Slingerland “Fancher Model”. They are stamped Slingerland 1-H on one stick only.
Read moreLudwig utilized two different types of stamps and three different stickers to indicate that the anti-galvanic finishing process was used on its chrome-plated shells. By gathering information from chrome-plated drums and exchanging emails with the president of the company which provided plating for Ludwig, a timeline of the different stamps/stickers is developed. These interior stamps/stickers are another useful tool to authenticate and date vintage Ludwig drums.
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There are some interesting aspects to entrainment. For example, if you set a few metronomes at different tempos and then put them on a surface that can move a bit, the metronomes will entrain to one tempo regardless of the tempo setting (don't know if anyone's tried this with parrots).
Read moreThis set is a 1960s Ludwig Hollywood set. It has a 22X14 bass drum, a 12x8 and a 9x13 mounted tom. The older Hollywood sets had two 12s and sometimes two 13s. The kit also features a 16x16 floor tom. The drums have Keystone badges with serial numbers that places their born-on date around 1967. I have placed an 8-lug matching Super Classic snare with the set, but I received a very nice chrome 14x5 snare with the kit. I'm sure it was the snare that was bought with the kit. That was the standard snare that went out with so many Ludwig sets.
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“I first became aware of Tony Williams from my drum teacher John Wadham. He had me listen to Tony playing with Miles Davis. “I want you to listen to this drummer and then tell me what you hear “. After what seemed to be a long while as the record turned – the hiss was silenced by the sound of a furious trumpet, drums, and upright bass. It sounded so raw - like the musicians were right there in the room with me.
Read moreI read with interest your article on the Buescher True-Tone Snare Drum.I am attaching a couple of photographs of an old snare drum that I thought might interest you. The skins are almost certainly animal skins, and the snare wires are wire wound around silk. The clamps appear to be nickel plated and are free floating, not connected in any way to the main shell.
Read moreI saw this one at a NAMM Show in the late 1990s, maybe early 2000s. At that time Leedy was trying for some type of comeback. I got the drum from Sam Bacco who at the time was associated with Leedy. He told me that he located one long-lost piece of this material from Slingerland and there was enough material left over to make a Leedy Broadway Standard snare drum. Sam told me that the finish was made with melted guitar picks (you can see some un-melted guitar picks in the finish).
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Cympad Optimizers
So the fine folks at Cympad sent an assortment of their cymbal washers for me to review. Cympad washers are made from a cellular foam material and can be used in place of traditional felt washers. The Optimizer washers are pretty close to the same size as any typical felt washers for rides, crashes and hi hats, and effects cymbals. I felt that these would be a good starting place to do an A/B comparison with my felt washers. I used several different types of ride cymbals: My “holy grail” Bosphorus 21” Master Series ride/crash cymbal - extremely thin with a small bell, an old EAK Zildjian K 22” ride that is very low pitched and dark with a big bell , and an older 20” A Zildjian rock ride - pretty heavy and bright with a medium sized bell.
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Cympad Shark
Ding! Ding! Ding! Folks, we have a winner! This one tops my “George’s Picks” list. From Cympad’s Website: “The gated drum damper enhances the attack while keeping the tone of the drum. The Shark’s exclusive hinged design allows the device to float on the playing surface— subtly reducing the volume and resonance by reacting to the intensity of the stroke. Rugged, re-useable, with plastic carrying case included.”
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Legendary drummer Mike Clark’s latest CD titled ‘MIKE DROP’ is another powerful example of just how incredible a player he is. Featuring Michael Zilber on saxophones, Matt Clark on piano, with Peter Barshay on bass…It was recorded at Oakland, California’s 25th Street Studio where the sound and clarity is amazing… According to Mike, most of the tunes were first takes - just the way he likes it.
Read moreSince I’m a little old school and like conventional crashes, I decided to use this one as a substitute for my 20” China cymbal that I always use with my kit. This thing definitely explodes quickly and gets out of the way. It has the same sharp and cutting characteristics of a China. I give it a thumbs up.
Read moreI purchased an old drum in Nashville in the mid-90s and have never been able to identify its manufacturer or its value.
Read moreThe July 2021 issue of Not So Modern Drummer has been delayed for a few days. We normally send it via email on the last day of each month but ran into a last minute issue with our subscriber email list. It needs to be cleaned to be in compliance with spam regulations, or else be barred from sending bulk email. This usually takes 24 to 48 hours so look for it within the first week of August. Sorry for the delay.
Read moreMorris Arnold Lang, known to his friends as “Arnie”, passed away recently following an unfortunate accident. Arnie was a talented musician, educator, prolific writer, and craftsman (Lang Percussion), devoted husband and father. In his nine decades on this planet, he gifted us with the legacy of his music, educational books/videos, many students, family, friendship, and amazingly crafted drums in the spirit of Billy Gladstone. While one always wishes for more time with such wonderful people, we are reminded how blessed we are to have lived in his presence.
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