Captain's Log; 10/15 Old dog learning new tricks

This blog is taking the place of the old editorial column that was in the print magazines and the email newsletters. There won't be an editorial in the newsletter anymore. The monthly  periodical format isn't working for  NSMD so I'm going to post whatever is on my mind whenever it's on my mind! Here! Personal, business, gigs, music, past articles on a variety of subjects, fleeting thoughts and floating molecules, whatever, I'm going to be writing it here.

What's going on? I just finished two months submersed in the bowels of this new website and new newsletter. I have never built a website before or composed a digital newsletter. Thank the Great Pumpkin for Squarespace.com, a web building and hosting site, and the Constant Contact email service which have it all  dumbed down to where even I can do it. You may have noticed there was no September  2015 issue of the newsletter. That was due to delays in building the new site and delays in switching over from the old site to the new site. 

I bought Not So Modern Drummer magazine in 2008 with the intent of "modernizing" it. Well, three websites, two newsletters, three webmasters, and three business overhauls later, I'm flying solo and I'm on a mission to come up with my "final answer". I put everything on hold this year (2015): the Nashville Drum Show, the Snare Drum Olympics, while I figured out the new direction for Not So Modern Drummer. (Yeah, yeah, you've done this before, yawn). Well not to this extent. I realized this year that in order for Not So Modern Drummer to best serve the drumming community, I needed to immerse myself 24/7 in the process of running it, building it, promoting it, growing it, etc. And I've done just that!

I've been in hyper focus mode for weeks on end, many hours a day, just figuring out what NSMD is so a new direction and mission could be defined for it. NSMD is not a magazine anymore, obviously.  We quit printing the paper magazine in 2012. It's not the email newsletter which replaced the paper magazine. It's not this website either. The old periodical format is not effective for it anymore.  I finally figured out that NSMD is the 27 years of content that has been contributed to it, and the people who contributed it. So, I started a  new mission to make that evident to everyone: To store/document/publish all the content since 1988 on this site and make it available to all for free. Long term project, I know, but it's off and running. I'm daily adding old content from the first typed newsletters, the old print magazines, and the three different websites and newsletter formats we've had. 

The other part of the mission for 2016 is to re institute the buying and selling of vintage, custom, used and new gear by its readers that was the bread and butter of the original Not So Modern Drummer. It was originally a classified ad rag for drummers! Well Ebay did that in, but I've seen the need for a more vetted venue where buyers and sellers must use their real names and establish trust. So I've added a new forum that has a classifieds section in it. I thought that forums were passe since Facebook took over, but I think people are growing weary of Facebook. It's too much to keep up with and no one really owns their pages or groups. It could blow up at any day now when the next new online thing comes along. Forums can be more focused and niched, ..... and owned! I've noticed since I launched the new site that the page with the biggest number of hits is the Classifieds, so that's a good sign. If you have gear to sell, or or looking for specific items, please help me get this Classified forum jump started by posting there.

Captain logging off.

Dorado by Gretsch - Made in Japan

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This was sent to me by my drum nerd buddy Jay in Knoxville TN. He is the administrator of the Facebook group "Knoxville Drummers Union". He goes by the code name Jay Options over there. I think he is hiding from someone. You have to know the secret password to join that group and they are a shifty bunch :-) . Dorado Drums were added to the Gretsch Dorado catalog in 1973. They were cheap Japanese stencil sets; imports and didn't hang around too long. That's about all I know about them. I would put that particular set of Jay's in the $200 category just because they are in good shape. If the floor tom and snare drum were there they might be worth $300 to $350  -  George Lawrence

Here is a quote from author Mike Jones about Dorado guitars. Some of this may be applicable to Dorado Drums.

" I love the Dorado myself and have the same model 12 string as you. I also have 2- Model 5985 solid-body electrics. They are extremely well made and very playable. I am including information about them in a chapter of my book "Gretsch's Lost Weekend; The Guitars of Booneville and The Hagner Musical Instrument Company, 1970-1981" I am not going to be devoting much to the acoustic models but here's what I can tell you.

The Dorado guitars were made by Matsumoko of Japan between 1971 and 1973. The most intersting thing is, other than minor cosmetic differences, Matsumoko made the exact same guitar for Epiphone, Aria, Conrad, Granada and Lyle, though less so, their acoustic guitars. The ones that were marketed by the other companies were manufactured between 1970 and 1976. The Headstock design seem to be the only real variable on all of the models. As to why they were distributed by Gretsch, there was a long standing rumor that the Dorado was imported by Gretsch/Baldwin to make up for the lack of inventory after the Booneville factory fire in January 1973 destroyed the Gretsch production facility. While a plausable theory, It doesn't work with the time line. It appears to be more of a deal worked out by Fred Gretsch (still on the Gretsch/Baldwin Board of Directors) and Bill Hagner to work with Japanese suppliers. Gene Haugh told me that the decision to import was made in the spring of 1972 by Baldwin and Fred Gretsch. The first catalogs with Gretsch's name appeared in the fall of the same year and offered only acoustic models. In the 1973 catalog they offered an electric 6 string solid-body as well as a solid-body 4 string bass. Your 12 string model was one of two 12 string models offered in the 1973 catalog. Interstingly they also offered drums that year. A little known fact that you might enjoy. Gene told me that Fred brought a Dorado acoustic to Booneville one day in early 1972. According to Gene, Fred had put some masking tape over the logo, came into Gene's office and asked him to try it out. Gene played around with it for a few minutes then Fred asked him how he thought it played and what he thought it was. Gene said it played great and thought it was a Gibson. Fred peeled the tape off to expose the Dorado logo and said "That's what I thought too. Were gonna start distributing these." Gene told me he didn't care much for the electric solid body model's finish but the acoustics were as good as anything anyone was making during those days. Dorado had 3 logos. Plain Gold screen in fat block letters, Gold silk screen normal block letters in 1971-72 and in 1973 they introduced a Stylish in-laid mother of pearl logo. Yours is a 1973. I'll see if I can find some acoustic pics of the Aria, Epiphone, Conrad, Lyle acoustics so you can see they are all the same. For now, here's how the Dorado solid-body electric compares with all the other Matsumoko solid-body electric guitars. I hope this helps.

Mike Jones

1920s Sonor Drums & Hardware

Check out the 1920s Sonor drums and hardware! a double pedal? In the twenties? Really?

Gretsch 12x16 Bass Drum

Here's something you don't see very often, Gretsch 16" x 12 " bass drum, restored with mostly original parts, all parts are period correct..

Yes it's the real deal.

Ronnie Owens Drums

Goodman Quilted Maple Stave Snare

The Goodman Drum Company sent in a very high-end snare drum for review that sounded great on my gig last night (and I’m pretty picky). The instrument’s body is a 14 by 5.5 Quilted Maple stave shell that is 5/8” thick and has a double 45 degree bearing edge. It has wide and deep snare beds similar to the old Slingerland Radio King bed which I personally like because of the responsiveness. The flawless, grade A quilted maple wood has a beautiful hand rubbed clear coat that takes two weeks to apply and has a UV inhibiting agent. The hardware on the drum includes ten polished solid aluminum center lugs with receiving tubes that give it the look of a tube lug drum, die-cast hoops, a Trick throw off, and Pure Sound snare wires. The 3 small unique snare vents in the shell are aligned vertically in one panel of the drum and sit flush with the shell. No cheap hardware on this drum. It appears they using only top shelf parts. The badge is die-cast with a script logo on a glossy oval background trimmed with a silver/chrome-ish border. Very understated tasteful badge.

Sound? This is a full-bodied snare drum sound. At high, medium and low tunings the fundamental note of the shell is very present.  It was very easy to tune and the feel of the tension rods turning in the lug threads was very smooth.  The resonance and sustain in the head was very pleasing and musical from the edge to about 2/3 the way in to the center at which point the head became progressively drier until it was very controlled at the very nodal point in the center. I like a snare that allows me to hit in the center for a dry, short, snappy sound but with the option of moving away from center to use the natural ring in the head for longer tones. The snare wires respond very well from edge to center and I was able to dial out sympathetic buzz from other drums with the Trick throw off . The snares sounded great at tight, medium and loose settings. I think this can be attributed to the superb bearing edges snare beds as well as the superior Trick throw off and Puresound snare wires. I’ve noticed that some snare drums with die-cast hoops can be very one-dimensional; too much fundamental and not enough overtones or splash, all crack and no tone. Not with this drum. The die-cast hoop did not “choke” the drum. I usually prefer a triple flanged hoop because I find that die-cast hoops don’t give me enough tone and splash. Not so with this drum. It had a lot of what I call nice “gonk” tone in the sound (think Bill Bruford), which I find is usually missing in many drums with die-cast hoops. I also noticed that the difference between a regular loud hit and a rim shot was not that different in volume, but it was different in tone, which was nice. I play a lot of rim shots on backbeats but did not feel the need to with this drum. Most drums have a much seemingly louder report with a rim shot but the wide range of dynamics of the head hits on this drum with regular hits speaks to the superior response of this drum’s design.

Performance; I took this drum on a three-hour gig with an Allman Brothers tribute band. It was a very loud gig in a small club with another drummer right next to me. I had no problem hearing this drum even though there was no monitor and I had a hard time hearing the little 18” bass drum I was using. I didn’t feel the need to hit rim shots to hear the drum. The tuning held up well. No de-tuning of the tension rods.

Cons? Nothing. A+

The Goodman Drum Company is a three-year-old boutique company run by Chris Goodman Jr. and Sr., who also make other wood products. They make their drums out of rare, re-claimed, exotic and high-end tonal woods. The moisture content of the shell is very controlled at 6 to 8 percent until the final clear coating step. The drums are trued on granite and it is obvious that they are very concerned with producing a flawless instrument with much attention to detail. The Goodman's have plans for expansion in the near future.  Their first 13” snare will be introduced in a few months. Lugs, hoops and tension rods will be made in-house in 2016 and their first drum kit will debut in 2016. Their goal is to go national with distribution in 2017. While their website is under construction you can reach them on Facebook.

https://www.facebook.com/GoodmanDrumCompany

Joyful Noise appoints Todd Trent as Chief Operating Officer

Joyful Noise Drum Company is proud to announce the appointment of Todd Trent as their Chief Operating Officer. Todd is excited to bring over 3 decades of percussion industry experience to Joyful Noise. Having been in music retail, artist relations with Ludwig Drums, wholesale / OEM sales and marketing with Taye Drums as well as pro touring management, Todd is well suited to propel Joyful Noise.  He has been a fan of the product, their mission and leadership team since the beginning of the company and now feels the time is right to add his abilities to such an outstanding company.  

April 2015 - Spring is Here!

 My friend Rob Kampa has been a busy boy.  Rob, of MagStar Drums fame, is one of the first and best of this generation’s custom drum builders. He moved to Nashville a while back and has been doing all the drum building and custom work for Andy Foote’s Drum Supply House for quite a few years. Rob and his wife Maggie have recently become the proud new owners of WorldMax USA, leading parts supplier to the DIY and custom drum building industry and makers of the infamous Black Dawg line of brass snare drums. I was wondering for a couple of years who previous owner Walt Johnson was going to hand the baton off to when he retired, and I can’t think of more suitable owners than the Kampas. If that weren’t enough to keep his day full, he is now also building drums for the resurrected Walberg and Auge Drum company.  Jeremy Esposito is the other name in the W&A venture and has set it up as a non profit company. Much luck , Rob. You are now a cornerstone of the drum smith community. We need to do an article on you and the three drum companies you work with.

Not So Modern Drummer will have a booth at the Chicago Drum Show in May. I won’t personally be there because I have some performances I can’t get out, of but our Production Manager Chris Speich will be there along with Aaron Mlasko of Mlasko Drums here in Nashville. Please come by out booth to say hello to Chris, maybe talk about some advertising in NSMD, and to check out Aaron’s cool drums.

Matt Crouse interviewed me recently for his very cool podcast "Working Drummer". It's a conversation about what it is like to be a lifelong working drummer, my history and experiences, and Matt's take on things too. He is very good at this and I'm so glad he included me. Matt is an old friend. We met twenty years ago when we were both working at Fork's Drum Closet. http://www.workingdrummer.net/2015/04/15/georgelawrence/

I have resurrected the Famous Drums brand with a new work horse Black Beauty brass model featuring a Dunnett throw off.  It has a low price of $385 and you can check it out at our Reverb.com storehttp://rvrb.io/2015-black-beauty-70g

The Snare Drum Olympics will be held this year. The judging will be in November and results will be published in the December Issue. If you want to enter a drum or two or three in this year’s contest and publicity event please sign up on our mailing list at www.snaredrumolympics.com and review the application and procedures. Since the Nashville Drum Show is not being held this year, we will have a separate public event for the public judging and debut.

There are many great articles in this issue including a healthy number of reader submissions and appraisal requests, so get our your iPad or your telephone or your Dick Tracy watch and read away.   –George Lawrence

PS - Don't forget to check out all the new products in our new store: https://reverb.com/shop/georges-drum-shop

Canopus Neo Vintage Snare Drums

Canopus sent three unusual snare drums from their Neo Vintage series  for me to review this month: I’m including their specs and descriptions as well.

NV70-M4 (4th of Neo-vintage series)

Shell : 5ply Maple + Poplar 9mm Finish : Superior Maple Lacquer Size : 6.5 x 14 Top Hoop : 12 tension round edge hoop Botom Hoop : 6 tension round edge hoop Snare Wire : Non-plated Canopus vintage wire (CPSL-14DR) Lug : Japanese sword separate lug

MSRP : $1530.95 MAP : $918.57

From Canopus’ literature:

"NEO VINTAGE M4 is based upon the technology and specifications of some outstanding drum designs from the 1970s. Its unique design features 12 tension rods on top and 6 on the bottom. A 5 ply maple and thicker poplar shell construction, and Canopus' precision bearing edge shaping, combine to create a characteristically "mellow and dry" vintage sound. With these specifications - providing a blend of tight attack and a comfortable, loose reverberation, it is a totally unique instrument. Certainly, this conspicuous sound will be highly prized and sought-after by a great many drummers."

Reviewer:

I found this to be the most intriguing of the three drums. I started out with medium tuning. Great sound and throatiness in that range, but the low tone of the poplar  and maple shell begged to be tuned down. So I loosened the twelve top tension rods considerably and found the sweet spot on this drum. It makes a great “fat back” drum. The resonance of the drum at the low tuning has just the right amount of “gonk” in it. This would make a great recording drum for those who like to tune low and splashy. I also tried it at a tight tuning, not expecting much from the poplar in the shell but was surprised at how nice and snappy it sounded. Very articulate. I especially like the Slingerland type stick saver hoops. Something about those hoops makes a drum sound “rounder”. It’s the perfect compromise between a softer triple flange hoop and a stiffer die cast hoop. The 12/6 ratio of top to bottom lugs is cool. With the stiffer stick saver hoops, the 8 lugs are not needed on the bottom head, but I would like to hear one of these with 8 lugs on the snare side. The lacquer finish on the maple outer ply is flawless. The Japanese Sword lugs are the coolest thing. Why did Sonor ever let that style go?

SIG-1465YE1 (Yoshihito Eto's Signature Model)

Shell : Maple＆Birch Hybrid 8ply Finish : White Satin Wrap (Inner Ply Black Oil Finish) Size : 6.5 x 14 Hoop : Die-Cast BlackNickel Plated Snare Wire : Non-plated Canopus vintage wire (CPSL-14DR) Lug : Solid Brass Tube Lug Black Nickel Plated w/ Inner Muffler w/ Tension Adjustable Butt

MSRP : $1359.36 MAP : $815.62

From Canopus’ literature:

“In order to suit the eclectic playing style of drummer, Yoshihito Eto, his signature snare drum needed the capacity to shine in a wide variety of musical situations - from Jazz to Pop and Hard rock.  It needed to be a true "all-rounder", but at the same time it needed to reflect Eto’s playing personality. This was a major challenge -  because it is often observed that an "all-rounder" snare drum seems to lose a certain individual character in order to function in all musical situations. Canopus produced many prototypes of this model - in search of the perfect combination of sensitivity, power, "clean" tone, and "complex" sound. We have met the challenge and realised this ideal sound. This drum features a hybrid shell - a perfect blend of maple and birch. The maple provides clear, clean projection and birch adds complexity and character to the sound.

To fully realise the potential of this hybrid sound, we have achieved a perfect balance of several elements - we have utilised Canopus' precise edge shaping, snare tension adjustments at both strainer and butt-end - to control the snare wire more efficiently, and an internal muffler which allows the tone to be controlled and varied at any time - even mid-song! The potential of this snare drum is infinite - all elements of the sound can be directly changed and controlled by the player. This is a remarkable instrument, of which the Canopus company is justly proud.”

Reviewer:

Beautiful drum with great color scheme: white satin flame wrap and black hardware. Very clean sounding. The die cast hoops give it a stout voice, but does not dry the head up completely like I’ve experienced on other snares. The snare response is very nice at tight, medium and loose tensions. The tension knob adjustment on the butt end is a nice feature. I especially liked the internal muffler. I‘m not a fan of muffling but on this drum the muting was effective without choking the head. It would make an all around workhorse drum that would be at home in many music genres.

NV60-M3 (3rd of of Neo-vintage series)

Shell : Phenol Fiber Finish : Deep Ocean Wrap Size : 5.5 x 14 Hoop : Steel 2.3mm Snare Wire : Plated Canopus vintage wire (CPSL-14NP) Lug : Solid Tube Chrome Lug

MSRP : $946.67 MAP : 568.00

From Canopus’ literature:

“With these unique drums Canopus has brought back the drum sound that was immensely popular from the mid 1960's through to their peak in the 1980's. Since that time fiber drums have become increasingly difficult to find. Fiber material has particularly unique sonic qualities when compared to wood or metal shells.

Canopus' process is to layer "craft paper" with phenol resin and apply a heat treatment (known as annealing) to the shell. This allows us to considerably harden the surface layers of the shell to get the best sound as a drum shell and extract the optimal sound. The combination of ideal shell hardness and thickness, combined with the perfect bearing edge, has allowed us to recreate the vintage fiber sound - Neo Vintage M3.”

Reviewer:

Warm, and deep. Not at all what I expected from this unusual type of shell. Very meaty and throaty tone. Easy to tune. Snare response is great. The tube lugs keep tension off the shell and add to the resonance of the drum. I would love to have this drum in my arsenal.

March 2015 - Lots of News!

Heads up! Be on the look out for an email from DRUM! magazine and NSMD about winning a $50 Visa gift card for taking a survey about your playing and the drum gear you use. We'd appreciate it if you would take the time to fill out their survey.

Lots of news this month:

The Nashville Drum Show will not be produced by Not So Modern Drummer this year. Even though the show has grown every year and even made a small profit last year, from this point it would cost too much in time, energy and resources for my two man staff to handle growing it to the size it needs to be. Also, my personal pursuits in music will be taking up more of my time this year and I simply won’t have the time to do it properly. I am offering production of the drum show to any interested individual or company, with my assistance and resources. Please contact me if you are interested. The 2015 Snare Drum Olympics will still take place and information will be available shortly.

Chris Speich and Aaron Mlasko will be hosting the Not So Modern Drummer booth at the Chicago Drum Show in May. Aaron is the owner and builder of Mlasko Drums and will be displaying some of his immaculate drums at our booth. Please check out his ad in this newsletter and the Custom Drum of the Month.

NSMD’s gear and back issue sales are being switched to the Reverb Marketplace and the store name is being changed to George’s Drum Shop. https://reverb.com/shop/georges-drum-shop Reverb is rapidly surpassing Ebay as THE venue for music instrument and gear sales so we are going to set up shop there. Just to clarify, George’s Drum Shop is not a brick and mortar shop; no showroom, just online sales that are personally handled by me. I am still a staunch supporter of supporting your local drum shop. Fork’s Drum Shop here in Nashville is where I spend my money.

Many new products have been added to the shop and more are on the way. Recently added were Ronn Dunnett’s great throw offs and other parts. I will also be adding all the Snare Drum Olympics drums that are for sale. If you are interested in having your products represented and sold by George’s Drum Shop please contact me, george@notsomoderndrummer.com or george@georgesdrumshop.com.

As usual we have some great articles and columns from our regular writers. Please check them out and leave any comments that come to mind. And remember, “the drummer with the prettiest drums gets the gig!" :o)