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“Like many of us, I was pondering Tony Williams' effect on the music world.
I remember how we all sounded before Tony and after. Very Different... Most of us were trying to sound like Max Roach, or Philly Joe Jones but then 'Four and More' came out. Within a year on the West Coast if you wanted to work with guys like Bobby Hutcherson or Woody Shaw - you had to have some sort of answer for this 'new and modern' type of playing. Tony turned the jazz drumming world upside down.
Read moreRoger recalls being approached by, ex Animals bassist, Chas Chandler asking " Would you guys mind giving up your middle set tonight? " for a new act. After clearing it with the club`s manager and confirmation that they would still be paid in full for the night, Roger and the band also agreed to loan their backline and drum kit. Enter the recently formed Jimi Hendrix Experience who, after recording their first single `Hey Joe` only two days prior, were about to perform their British debut showcase gig!
Read more“Tony was, in my opinion, one of the few master improvisers of our instrument. He added significantly to the vocabulary of jazz drumming and though his earliest recorded output is now over sixty years old, it nonetheless sounds as ground breaking and innovative as if recorded yesterday."
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“Some shuffles might be too nasty for some bands or players so you have to take some of the grease or looseness off of it - or change how it moves. Same with funk beats, some are too funky and cats don't get it. Am I the only one that has experienced this? It's like a 1958 Chevy with a big engine and glass pack muffler. It shook when you went through the gears. It felt like the body was fitting on the frame real loose. Some cats would drive it and think something was wrong.”
Read moreTaylor Hawkins, to me, was the ultimate drum nerd. He had so much fun playing the drums and talking about drums and drummers, and was a fan of the other great rock drummers: his peers. He plays and nails so many of the iconic rock drum parts in this interview video. At 41:00 he plays the drum part to the Toto Song "Rosanna" that the late Jeff Porcaro created, which is not an easy part to play with the finesse that Porcaro did. Taylor nails it in this video. Especially
Read moreLen may not be a name that is well known in the drumming world but he is a guy that has played places that many of us dream about and worked with some of the greatest musicians in the world. If the definition of being successful means that you are blessed to do something you love, then I believe that Len has lead a very successful life.
Read moreAs a drummer for Hi Records' house band the Hi Rhythm Section in the 1970s, Grimes worked closely with artists including Al Green, Ann Peebles and Otis Clay, among others. His beats on songs including Green's "Let's Stay Together" and Peebles' "I Can't Stand the Rain" served as a crucial foundation for the burgeoning Memphis soul sound of the era.
Read moreTony developed under the tutelage of master drummer/teacher, Alan Dawson. Miles Davis opened more avenues for development by stating, “You can’t make any mistakes in my band.” This encouraged Tony and gave him a clear musical canvas to create and develop his improvisational skills.
Read moreSandy Nelson, a drummer whose flashy style and propulsive rhythms helped elevate the importance of the instrument in early rock and roll, died Feb. 14, 2022, in Boulder City, Nev. The cause of death was not reported, however Nelson had been in hospice for some time. He was 83.
Read morePreviously, Terry has made several solo albums featuring himself in various musical styles and settings... Including ensembles, duets, songwriter collaborations with guest instrumentalists and vocalists. He's had the opportunity to perform and record with some of the world's most outstanding musicians... Including, Vic Juris - Eric Kloss, Phil Woods - Barry Miles, The Manhattan Jazz Orchestra - Billy Ocean - George Benson -Laura Nyro - Natalie Merchant - Freddie Jackson and Jeffrey Osborne...To name a few.
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Tony performed with such energy you could feel it propel the rest of the band. Miles himself said that Tony was “the center that the group's sound revolved around.”
Read moreLess was definitely more as Al and Richie burned through sixteen tunes with only a brief intermission. Both complimented each other with amazing displays of virtuosity throughout the show. On numerous occasions Al would smile at Richie giving him a nod of approval at some complex patterns they had just played. Sometimes it seemed to border on telepathy when they each unleashed something totally unexpected, yet it was somehow perfectly synchronized.
Read moreI only got to see Tony play on two occasions. Once at The Blue Note and again at Birdland. Both nights, I received the drum lesson of my life and learned firsthand about control, finesse, and confidence. He played that massive canary yellow drum kit with the three floor toms and used every drum melodically and musically. His flams and single stroke rolls knocked me out on the spot. Looking back now, I wish I would’ve checked him out live more, but am grateful for the two times I did.
Read moreAs well as being a much sought-after session drummer, as of this writing, Anton is also the touring drummer with Joe Bonamassa.
Read moreI was deeply saddened to hear of the passing of drumming legend Ron Tutt. He had an over 60 year career as an “in demand” session and touring drummer. I’m sure you’ve seen the numerous comments and tributes made by various musician luminaries such as Billy Joel, Neil Diamond, Michael McDonald and also from Ron’s former band mates in the TCB Band and Neil Diamond’s band. However, on a personal note , I felt compelled to comment from a different perspective.
Read moreIn 1919 at the age of two, Bernard 'Buddy' Rich was already traveling the country with his parents' vaudeville act. By 1932, Buddy had already been performing for 13 years as 'Traps The Drum Wonder'. At 15, he was already headlining with his own group earning up to a thousand dollars a week. That same year he also received a Slingerland endorsement deal. The accolades began rolling in... The year 1932 was an early indicator of all the great things to come for drummer Buddy Rich.
Read moreSeveral months before he passed in October of 1996, we played The Florida Drum Festival to 2,000 drummers. Tony was at the top of his game... Expressive, powerful, creative and you always expected the unexpected. We had the chance to talk for a while before his performance. He had an album coming out, 'Young At Heart' which he was excited about. He talked about wanting to be known as a composer and an individual artist. I told him, you are already there! Tony really appreciated that. He was, and still is such a powerful force in drumming and music.
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"I love the hi-hat…Since childhood it’s had me in its clutches!"
I never met Charlie or any other of the Rolling Stones but I feel fortunate as I was able to indirectly help put a rare WFL drum Charlie owned back to original shape. Charlie acquired a late 30’s WFL twin snare drum that had off-set lugs and the type of strainers that often broke at the tip. Charlie’s drum had one broken strainer and his tech, Don McAulay was looking to find a replacement strainer
Read more…the tricky syncopation and meter change in the seventh bar, the minor blues form and the improvisation of the piece still blow my mind to this day and served to open my young ears to form and melody in Jazz. Tony’s cymbal sound of the period is so organic it doesn’t even sound like stick on metal to me. His orchestration of phrases across the whole set, the use of the bass drum as an extra tom voice, the shift of the primary time keeping to stepped 1/8th notes on the hi hat, splashes of colorful cymbal work, all new to my ears, and everybody else’s too. Like so many other musicians I fell under the influence of Anthony Tillman Williams.
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