This 1936 Slingerland catalog also has some of the most glorious color palettes of drum sets ever displayed between its pages. The center fold out is spectacular as well, showing the finest available drum finishes in all their grandeur.
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So, if one sticking pattern is so amazingly useful, why bother to learn more? Well the key word here is ‘learn’. There are some stickings that we want to commit to memory as solidly as we can. These are the workhorse stickings. They're the sounds and patterns we rely on day to day. Then there are stickings that are meant only as exercises
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“I’m tired of drumming, I was thinking about becoming a ship’s captain but I’m not stern enough.”
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We all need something to make us smile, and I can practically guarantee the following will provoke a smile—perhaps even a chuckle. It's an unusual and amusing photo of the best drum student I ever had.
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I was privileged enough to receive two very special Limited Edition Radio King first serial number 1s of 50 of the 5“ x 14“ vintage black and gold lacquer and the 7” x 14” black diamond pearl wrap snare drums. -Ed Tucker
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Some of the most attractive things about the vintage Japanese drums were the great wraps. One of the most original and desirable wraps is Star’s Pearl Fantasia.
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I purchased one catalog cover of three for sale by accident thinking it was a whole catalog for only a couple dollars. Then a lightbulb went off - I’ll make a framed piece of artwork!
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Here’s the playlist of the eight videos that are on YouTube so far. I have eight more in the can that will be uploaded soon. Enjoy!
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I hope you all had a good holiday and didn’t get switches and ashes in your stockings! There are some great articles in this issue. Jim
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It was an after-hours open stage club in the heart of the jazz district, and our budding jazz band had arranged to play a set -- our first venture outside the practice room. The resident drums were just awful.
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Sorry to disappoint the fans of X Japan and Loudness, this is all about the vintage heavy 10 lug steel shell snare drums made in Japan. These snares are often overlooked in the MIJ drum world because of all of the great wrapped wood snares overshadowing them, but these drums have their place as well, especially if you rock!
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When jazz drumming giant Elvin Jones passed away in 2004, his wife Keiko was left with the daunting task of handling his vast estate. Elvin had two apartments in New York City. He and Keiko lived in one; and the other was strictly for his drums.
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On November 17, 2024 – Legendary drummer Liberty DeVitto presented a sold-out clinic at Rocky’s Music Studio in Rensselaer, NY. Liberty performed an over two-hour clinic covering numerous aspects of his studio and live performance career.
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The front page of the catalog used a new technique with a cutout to show the new Ludwig metal shell snare drum in a framed setting that was actually printed on the 2nd page and shown through to the front cover.
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Although not as publicly well known as Gene or Buddy or Shelly or Louie, Jack was a treasure. He had steady work his entire career, he always had money, he behaved himself, and he came to play. As you may expect, Jack spent time teaching and coaching and encouraging.
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I got this drum a while back. The drum came to me is this condition so no cleaning/restoration was necessary. I don’t see as many 15” Stipelgold snares vs 14” Stipelgold snares. I wonder if this is true with other collectors.
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Sun, Dec 15, 3:13 PM
Hi, I was just wondering if you could give me any clue on identifying the era (late 1800's) and/or brand of this drum?
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I am also finished with my book I’ve been writing for at least a year – “ The Missing Rudiments – Expanding the American rudiment system with missing and long forgotten fundamental snare drum rudiments, plus the new drum set unison rudiments”.
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I call it a “Monday Morning at the Office” drum because the scroll pattern is in every panel but there is no “Ludwig Chicago” engraving that would normally be just left of the strainer.
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Since I decided to come out about my hearing issues, a lot of people have asked me for some insight. It seems I’m not the only one who has paid a price for playing too loud, too long and too often.
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