You’ve no doubt heard about the various alternatives for the lead hand (both hands in the case of matched grip): German, French and American. You may even have gotten into arguments about it. These variations are relevant to tympani and mallet players, but should drum set players be concerned as well?
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Less was definitely more as Al and Richie burned through sixteen tunes with only a brief intermission. Both complimented each other with amazing displays of virtuosity throughout the show. On numerous occasions Al would smile at Richie giving him a nod of approval at some complex patterns they had just played. Sometimes it seemed to border on telepathy when they each unleashed something totally unexpected, yet it was somehow perfectly synchronized.
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. We sell them to motorcycle owners with pre 1967 bikes and didn't know they fitted drum kits. If you have any guys over there looking for these screws then can you let them know we have plenty?
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I only got to see Tony play on two occasions. Once at The Blue Note and again at Birdland. Both nights, I received the drum lesson of my life and learned firsthand about control, finesse, and confidence. He played that massive canary yellow drum kit with the three floor toms and used every drum melodically and musically. His flams and single stroke rolls knocked me out on the spot. Looking back now, I wish I would’ve checked him out live more, but am grateful for the two times I did.
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As well as being a much sought-after session drummer, as of this writing, Anton is also the touring drummer with Joe Bonamassa.
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Here is a great example of a 1938 Leedy Broadway Standard in white marine pearl. Leedy only offered this unique 4-point strainer on these models for one year. This snare was special ordered with ornate engraved rims. All hardware was ordered and upgraded to the optional chrome plating. Chrome plating was more expensive than nickel for the upgrade.
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This drum is from 2012 It was made for me by the great Adrian Kirchler from Italy. It is 7" x 14" brass with 24k gold plating. The shell is of 2 piece construction with soldered bearing edges like the 1920s Standard or Black Beauty models from Ludwig, although the "triangle" of the bearing edge is smaller in size [profile] than the
1920s drums.
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This is the standard 1930s 5 x 14/13 Duplex Spirit of St. Louis Model. The shell looks to be some type of “Butterscotch Pearl” finish. I couldn’t find any Duplex finish reference so I’m calling it Butterscotch Pearl for lack of a better term.
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A short while ago, I was contacted by a talented drummer by the name of George Sluppick on Instagram. It turns out he had a Ludwig drum from the 1940’s which he wanted to identify and might consider selling. He got the drum from a shop called Lollipop Music in Princeton, WV. They got the drum from a guy who bought it from a pawn shop. So unfortunately, no identity of the original owner. I was still determined to find out more…
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I was deeply saddened to hear of the passing of drumming legend Ron Tutt. He had an over 60 year career as an “in demand” session and touring drummer. I’m sure you’ve seen the numerous comments and tributes made by various musician luminaries such as Billy Joel, Neil Diamond, Michael McDonald and also from Ron’s former band mates in the TCB Band and Neil Diamond’s band. However, on a personal note , I felt compelled to comment from a different perspective.
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There are a couple of new features here at Not So Modern Drummer magazine.
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The goal of this study is to provide accurate information to assist vintage drum collectors to better evaluate the authenticity of Ludwig Standard snare drums by delving deeply into the specifics of when different logos appear on the P-83 model throw-offs and P-32 model butt ends.
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Two more blasts from the past that I never did articles on. The 4 x 13 Sparkling Gold RK “Be Bop” model was one of my earliest purchases (1995) from Ned Ingberman, The Vintage Drum Center and the WMP 4 x 13 RK Bop model was purchased from a fellow musician in SF about 20 years ago. A special thanks goes to my good friend and fellow collector Mark Cooper for helping me to date these two drums.
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One-of-a-kind, drum set in excellent condition. Thin, spun-fiberglass shells with carbon fiber reinforcement rings deliver a powerful yet warm tone with great response. Manufactured by Ming (Taiwan). UPS shipping is available in North America.
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Not every drummer is expected to be a rudimental expert but familiarity with all forty rudiments is highly recommended for each of us. And it isn’t as big a chore as you might think.
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This set I'm featuring this month is the 1940s Slingerland Radio King set I bought from Brian Scoggins. It has a lovely white marine pearl finish. I think marine pearl looks so good on these vintage drum sets. Even if the finish "yellows" I still love the way it looks. To me, these drums are yellowed to perfection. One must consider these drums are over 70 years old. The Beavertail lugs, and all the hardware is nickel plated. The badges are beautiful brass clouds. The drum sizes are 24X14 bass drum, 16X16, and 13X9 toms, and a matching 14X5 snare. There are two cymbal mounts on the bass drum shell. The high tom mounts on the bass drum hoop with a clip-on holder. The bass drum spurs fit into a mount on the bass drum shell. The shells are 3 ply mahogany poplar mahogany with large maple re-rings. I opened the 13 tom to peek inside. The smell inside was just heavenly. The workmanship is second to none.
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In 1919 at the age of two, Bernard 'Buddy' Rich was already traveling the country with his parents' vaudeville act. By 1932, Buddy had already been performing for 13 years as 'Traps The Drum Wonder'. At 15, he was already headlining with his own group earning up to a thousand dollars a week. That same year he also received a Slingerland endorsement deal. The accolades began rolling in... The year 1932 was an early indicator of all the great things to come for drummer Buddy Rich.
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Thanks to Bob Campbell for covering the Music City Drum Show in Nashville this summer. He has posted a great number of pics on our Facebook page. Great photos, Bob, as always. Click here 2021 Music City Drum Show (Nashville) - Part 1
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This heart felt note from JD in Australia reminds me of what an emotional and spiritual attachment we drummers have to our instrument and profession. Thanks, JD. “I'm crippled with damaged arthritic hips & end stage emphysema but I still tap along despite puffing after one song!…
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