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The first vintage & Custom Drum Magazine, since 1988
Valencia drums were Pearl’s lower-priced kit during the 1960’s; similar to Ludwig’s Club Date and Slingerland’s Stage Band outfits. These drums were traded in at the Memphis Drum Shop several years ago by the original owner. They were purchased new in Japan while the owner was stationed there in the service.
Read moreI was very fortunate to be able to buy this drum from a new friend, Bob Campbell, who lives in the US. I had been looking for this drum for years.
Read moreRecently a “drums for sale” post popped up on my Facebook page listed on a drum sellers group. It included two 70s WMP Slingerland kits configured as a Buddy Rich kit
Read moreIt is a ‘One Of-A Kind’ treasure in that it is the first (right side) mounted tom Gene used with the Benny Goodman Trio/Quartet in the 1936 period.
Read moreAllow me to introduce you to my Rare 1959 Slingerland Drum Kit No. 27!
This outfit is very interesting and rare for several reasons. To begin with, the snare drum itself is in absolutely extraordinary new condition with ZERO fade, modifications or damage
When I started collecting Ludwig snare drums, I learned about the early 60’s Supras which I thought were all made of brass. Little did I know that some of the early Supras were made from steel and aluminum.
Read moreAn enlightening video about the drum shells made by the Jasper factory for Rogers and Gretsch Drums; All maple? 1/2 gum wood and 1/2 maple. Eddie gets the answers from the horse’s mouth.
Read more“Cymbal Tryout Stand” for POS (point of sale) Leedy Drum Dealer countertop use and display.
Read moreI got this drum from my good friend and fellow collector/drum historian
Harry Cangany. Harry was thinning out his collection and we struck a deal.
There were very few Super Ludwigs produced with WFL badges which makes them very rare. The Transition Badge, as known by collectors, had the Ludwig logo on it and was used in 1958 and 1959.
Read moreThe serial number schemes and paper label designs used with Gretsch guitars and banjos differed from those used with Gretsch drums. On a few occasions in the early 1970s, drum serial numbers and drum abels appear on guitars and banjos and guitar/banjo serial numbers and labels appear on drums. This article is written for the vintage guitar, banjo and drum communities so that this fascinating interaction between these areas of Gretsch manufacturing is more widely understood.
Read moreI would like to introduce you to my stunning vintage 1960s Rogers little Jazz Bop Set!
18” Bass Drum, 14” Floor Tom and 12” Tom. I added another 14” floor and the matching snare in some of the photos from two of my other sets just for a WOW-factor.
I stumbled upon this set only two weeks ago and I am so thrilled I did, it has been a search many years in the making.
I'm an architect and custom builder and have a difficult time restoring stuff. I have to customize everything and make it express my individuality. For instance, my daily driver is a hot rod 1952 Willys pick up truck with a custom extended cab and a fuel injected 454.
Read moreHere we have a nice example of an early 1950’s Leedy and Ludwig Knob Tension kit. This unique outfit first appeared in the 1951 catalog and made its last appearance in 1953.
Read moreThus my Rosebud: Like Citizen Kane’s sled named “Rosebud”, I have found the drums of my youth.
Read moreThe 1st Generation of Super Ludwigs were made from 1925 – 1935 and they made 5 different sizes.
Read moreI haven’t been able to find any new/old snares lately so here’s some cool and rare 4 x 14 Slingerland *Tone Flange* Artist Models from my collection. In my 28 years of collecting I have only seen three of these 4 x 14 Artist Tone Flange models. Common logic has to be that there are more of these out there so feel free to send me photos/stories of your 4 x 14 TFs.
Read moreThe kit is in marble lacquer which is a hand painted finish resulting in no two drums ever looking exactly alike. The front bass drum head is beautifully hand painted and features actual sequins appliquéd on the female dancer’s dress.
Read moreBack in the 60’s, my grandparents would invite our entire family to their cottage in Northern Ontario. At one family event, a close friend of ours introduced us to her new boyfriend Jimmy Hayes. Jimmy was a one man party. He would sing, dance, tell jokes and kept everyone entertained and in stitches. To me though, he was extra special as he also played drums.
Read moreFrom Ray Lombardo’s listing at DrumSellers.com
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