Thanks to all of you who attended and/or exhibited at the Nashville Drum Show in September. For those of you who missed it we have a great pictorial article with photos from Rick Malkin and Bob Campbell. The show was a great success. There were three times as many exhibitor and vendor booths as the prior show and double the attendance. We hit a tipping point with the show this year and I think we may have to move to a hotel/convention center next year. Also, the drum industry gave a lot of credence to the event this year with many unveilings of new products including Gretsch’s new made in the USA Broadkaster kit that was introduced by Fred Gretsch and the guy who builds the Gretsch drums, Paul Cooper. Mothertone/Sleishman’s inverted bass drum set was demonstrated by Roy Wooten along with the Wooten Brothers Band.
Read more1940 Radio Kings - A Family Tradition
I was scrolling through a vintage drummer Facebook group one day, and I came across a post from Joe Ciucci. Rather, I came across an open-mouth drool worthy video of his 1940 restored Slingerland Radio Kings…. Joe was just the guy attached to the post! I sent a message to Joe, and we struck up a conversation. Joe turned out to be as nice as his drums, and I offered to showcase the drums in Not So Modern Drummer. He took me up on the offer, and here we are today. Joe was instrumental in setting up our Nashville Drum Show trip to ATL Drum Collective, and if you came to the Nashville show, you couldn't have missed the Radio Kings in the vintage drum museum.
Read moreBrooklyn Walking Tour: Traveling Through Gretsch History Today
This past July 30th 2014 I had a unique opportunity to take a step back into Gretsch Company history. As a matter of fact, I actually took several hundred steps, as I walked the streets of the Williamsburg section of Brooklyn where the company got its start. Along the way I visited several sites that mark the evolution of the company from its inception in 1883 through 1969, some seven decades later. Best of all, I had the pleasure of being joined by more than twenty drummers who are fans of Gretsch drums and their fascinating history. Since these drummers were all from the New York area, the information offered in our “Brooklyn Walking Tour” was all the more personal for them.
Read moreRick Latham's Polish Snare Drum
We got this question from Rick Latham as he was ending his summer tour in Europe.Can any of you help us out here? - NSMD: Hi George, Greetings brother from the Black Forest of Germany! Hope you are doing well. I'm nearing the end of a three month tour here in Europe - Germany, Italy, France, Poland, Switzerland... all great! I ran across this drum in a drum shop in Poznan, Poland and the guys are curious if it's anything cool - or maybe a bastardized-something-weird? Ha! I told them if anyone would know, it would be you - so give it your best shot.
Read moreOrlich 9/11 Memorial Glass Drum Kit
A little over 13 years ago, I came across a picture of Alan White (YES) playing what looked to be a set of glass and brass drums. Being a drum nerd, my curiosity got the best of me. Were these gimmicks, art, or perhaps something more? I became obsessed with finding out more... So in 2001, I contacted John Orlich to learn about Orlich Percussion Systems. I later had the opportunity to speak with Alan White and Tris Imboden (CHICAGO) about their Orlich glass drums. After that, I was hooked. I wanted a set of these drums! But let me tell you the whole story from the start…
Read moreWIW? 1909-1915 Conn Snare Drum
This is a very old but never played/museum quality snare drum. From what I've dug up on my own, it's from 1909-1915. It's a metal Conn drum with wood hoops and has twin snares, one underneath the batter head and the other is on the resonant head. It still has the original heads on it and it was given to me by Bob Grauso of the Fibes drum company. He told me it was quite valuable and wanted me to have it. He also gave me other rare things before his passing that I wouldn't part with, but this particular drum he said was something I could sell. I've only found one sale of this drum and if I remember correctly, it only fetched around $250.00. I would think that this drum would be worth considerably more, but I could be wrong.
Read more1960s Ludwig Downbeat Set
The drum set from my collection that I want to feature this month is a 1960s Ludwig Downbeat Set in sparkling pink champagne pearl. Downbeat sets began in 1959. It is one of my all time favorite kits. I really love these drums for many reasons. Their sizes are one reason I love them. These are the size drums Ringo Starr played on the earlier Ed Sullivan shows. The Bass drum is 20"X14", the floor tom is 14"X14" and the mounted tom is 12''X8". Ringo referred to the Downbeat sets he owned as the "mini" kits. I used to have a hard time telling if a kit was a Downbeat set in photos, but I learned to count the bass drum T- rods. The Downbeat set has 8 lugs and the 22"X14" Super Classics have 10 lugs. Another way to tell is to look at the lugs on the mounted tom. The space is greater between the top and bottom lugs on the 12'' tom than the space on the 13" tom. The 13" tom used on the Super Classics has larger lugs, so the space between them is smaller.
Read moreDW "Buddy Rich" Drum Set
This is a Drum Workshop set that I purchased March of 1983 that was custom built for Buddy Rich in August 1982. He used it for the beginning of the 1983 tour and played them until he had the heart attack when he was in Ann Arbor Michigan. It was ordered and built to his specifications through Joe Cusatis at the modern drum shop in NYC. He wanted the Slingerland TDR throw off on the snare, He wanted Pearl spurs and a Ludwig rail/banana mount for the tom tom. He also wanted Ludwig cymbal holders for the bass drum. The rest of the set is DW but is wrapped in Ludwig white marine pearl. It has the BR on the front bass drum head and "Buddy Rich Fragile" on the cases.
Read more1925 Ludwig & Ludwig Triumphal #9
This drum is definitely a 1920s Ludwig & Ludwig gold plated /engraved Triumphal Model. I did notice a few minor differences as compared to my Triumphal... 1. This drum has a 5-petal rose engraving as compared to my drum that has a 6-petal rose engraving... 2. This drum has the “Ludwig Chicago” in the same panel as the P-338 strainer as compared to my drum where the “Ludwig Chicago” is located 2 panels to the left of the strainer. Nothing earth shattering but interesting enough for me to pursue it further, ergo; was this a different engraver than my drum?
Read moreSeptember 2014 - The Nashville Drum Show is HERE!
The Nashville Drum Show is THIS WEEKEND!
We're busy making the final preparations... here's what's going on:
Read moreThe WWII Collection
"Here are a couple of pics of the World War II collection. The L&L is completely restored. The 1st version WFL (with the rolling bomber snare) werepurchased new, played for a year at home and put in the closet for 70+ years - they still have the original Calf heads on them. I am the 2nd owner. A BDP Rollin Bomber kit with a very rare 10" off set lug tom. I am the second owner as well. At the show I will also have a 1st version (Cecil Stupe design) WFL internal tune kit in WMP that I am restoring."
Read moreThe Dragon Drum
Recently I was asked by some friends if I could design a drum with a Renaissance Faire crowd in mind. So in true CT Pro Percussion / Charter Oak Drums fashion when left to our own devices, came up with the dragon drum that you see here. The prototype you see here has been made with a reclaimed shell and hoops and is fitted with calfskin heads both top and bottom along with custom ears. We will be offering this drum as a regular production item with choices of color including red/black, green/black, yellow,black or solid black as well as your choice of plastic, calfskin or Kevlar heads. Matt Alling CT Pro Percussion www.ctpropercussion.com
Read more1927-32 L&L DeLuxe Super Snare
Here’s another snare drum to enter the collection. I got this drum in May from a very nice gentleman named Mark Hamon. For those of you that are old Not So Modern Drummer subscribers you will recognize Mark as the photographer of all of those great NSMD cover shots. A thank you goes out to Bill Wanser for helping me to date this drum.
Read more1941 Leedy Autographs of the Stars
Here’s a snare drum that I have been looking for since my early days of collecting...thank you Ebay! This one wasn’t cheap but I wanted it so here we are. A little bit of history here in that the date stamp on this drum is 4112 (December 1941)...Pearl Harbor, WWII and The War Powers Act (Dec. 18, 1941) which caused the 10% Law that proved to be a pretty sorrowful era in the history of American made drums. It looks like this snare drum made the cut and was obviously built just before the “10% Law” manufacturing restrictions were enacted.
Read more1970s Camco Drum Set
Lately I have been bitten by the Camco bug. You might have been bitten by that bug yourself. There has been a rise in interest in these wonderful drums in recent times and I started wanting to own a Camco kit. I read the article about Camco drums here in the magazine with great interest. In the article the writer called them the "Stradivarius" of vintage drums. I have always thought they looked great, and wanted to own a set, so I finally made it a point to acquired a set for my collection. All the hype about these fine drums is true. They are very well built and sound fantastic. I think the first time I noticed them was when Dennis Wilson played a blue moire Camco set with the Beach Boys.
Read moreRogers Drums at Eastman School of Music
In 1962 I was asked to present a clinic with Louie Bellson at a local hotel in Rochester, NY. I was teaching at the Eastman School of Music and a local music store – Music Lover’s - was sponsoring the event. Ben Strauss of Rogers Drums contacted me and the date was set for November 7, 1962. Louie did the drum set and I did the classical snare drum. Since I also played drum set Louie and I traded fours etc. It was also at this time that I was teaching Steve Gadd and he was in the audience. I told Louie that he should hear this kid play. Louie invited him to the stage and Steve blew Louie away. It was at this moment that Steve, Louie and I became good friends for life.
Read moreIs it custom? Is it boutique? Does it make a difference?
I live in an area that has a lot of local breweries, and people around here talk and write about beer a lot. So recently, when I saw an article about the blurring of lines as to what’s considered a “craft brewery” and what isn’t, I realized that there’s a connection between drums and beer that I hadn’t considered: confusion about industry categories and how to describe them.
Read moreUPDATE: Nashville Drum Show & Snare Drum Olympics 2014
The Nashville Drum Show is just around the corner, September 20 & 21. Six weeks away! It’s not too late to rent an exhibitor booth or enter your snare drum into the Olympics. All of the information is available atwww.nashvilledrumshow.com.
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Who’s exhibiting at the show? Look at the list at the bottom of this post. The show is triple the size it was in 2012! The hall is really close to being full. We have 150 booths, new exhibitors are signing up daily, and there is always a last minute rush - so if want a booth you need to act now! This isn’t a sales pitch, just a heads up. We ran out of corner booths already, so we created some new ones – and we also have outside “demo” booths. Anyone can rent a booth as long as it’s music related.
Read moreThe Levon Helm Snare Drum
So the drum was given to Levon by Ringo, clearly played and signed by Levon to the son of another tremendously influential drummer, Richie Hayward. Four degrees of separation, perhaps? I was happy to win the auction, securing both drum for its history and the ability to help Seve in my own small way.
Read moreMike Clark: Words of Wisdom, Part 3
"OK… So the snares broke on ‘God Make Me Funky’ and I continued to play it on Tom. The engineer Fred Catero takes a brass wastebasket, puts a mike in it and puts the now fixed snare on top of the basket. He then plays the track to the snare which makes a sound at each backbeat, but leaving out all the ghost notes. I hated that sound, and without the ghost notes the beat sounded pedestrian to my ears…Like anyone could have played it. Now it’s one of the most sampled drum loops ever. They dug it, and some drummers say Hey, Man - I worked hard to get my snare to sound like yours!"
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