Drummer community & drum marketplace
The first vintage & Custom Drum Magazine, since 1988
The first of these is the best-known drum engraver of our time, John Aldridge. Some years ago, John Aldridge wanted a hand engraved drum. When he discovered he couldn't afford it, John learned how to do it himself, and brought this lost art form back to the drum industry.
Read moreFamous Drums “2x4” Snare - available by order - contact George Lawrence
Read moreDrumWrapper manufactured by Famous Drums/Not So Modern Drummer
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No February or March Issues.
Email subscriber list cleaned of those who don’t open the emails
Chicago Drum Show - No NSMD booth this year but DrumWrapper will be there
Looking for volunteers to help with NSMD tech and writing….
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Click here to order Joey’s music and for free downloads.
When the veteran blues rocker booked his trio into the legendary Sun Studio for a three hour session on an off day from their tour, he had no specific plan except to record a few originals and covers. Letting the legendary spirits in the room (Roy Orbison,Johnny Cash, Elvis, et al), the vintage 50s-60s equipment and the refreshing spontaneity of a “live in the studio” opportunity take over, Stuckey created InTheShadow of the Sun, the most unexpected full length album of his career
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Another new chapter in our ongoing series of quotes, conversations, commentary, and updates with jazz drumming legend Mike Clark. Mike’s keen observations provide numerous insights into “all things music”. Mike tells it like it is…The good, the bad, and everything else in between:
Read moreAs a young man, Jack Scarangella became a lifelong New York Yankees fan - Soon becoming a permanent fixture at Yankee Stadium. Most of the players and management already knew Jack by name. Ironically, much earlier at the age of nine, a kind police officer let him sneak in to see Buddy Rich in concert. It wasn’t very long before Yankees owner George Steinbrenner gave Jack permission to attend all of their home games for free. On numerous occasions, he found himself in the owner’s box, dugout, or seated next to the legendary Yankee broadcasters Phil Rizzuto, and Bill White. Jack has said that it was Mr. Steinbrenner who changed his life by allowing him full access to Yankee Stadium as his personal guest.
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This one just came in from my good friend Mark Cooper of coopersvintagedrums@verizon.net I usually don’t collect European snares but this one is a very rare and cool drum.
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Perhaps you're teamed with a bass player who doesn't lay down a solid line. Or maybe someone in the band just doesn't connect. In either case my recommendation is to work with the strongest or the weakest player.
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When given the opportunity to spend a few hours with Joe Corsello in his Stamford, Connecticut studio, I immediately jumped at the chance. Being in close proximity to one of the world’s most renowned jazz drummers was definitely a rare ‘WOW!!’ moment.
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Connecticut Drum Show, April 14, 2019
Read moreThese non mass-produced drums sets were made by the company that provided the metal hardware and hardware designs for the big drum companies in the 1900's. Based in Worcester MA, Walberg and Auge is considered to be, "the biggest unknown name in the history of twentieth-century American percussion" Check out the unique mix of hardware. This drum kit was hand built to 'Perfection' by Robert George Bernard (RGB) in December 1968. The shells are the early 60's 6 ply Gretsch Jasper shells with the COOLEST MIX of Gretsch, Ludwig, Rogers and W&A hardware. Whatever RGB had near him when he decided to build a set. So unique and one of a kind.
Read moreSea Green was in the Slingerland catalog from 1928-1938. Mark has dated this drum from 1939 to 1941. Mark has also mentioned this is the only Sea Green Radio King that he has ever seen...there is another...more on that later.
Read moreIt is fun just to hear Fred talk with his thick Kentucky accent. He is a fantastic storyteller with a lot of knowledge about music, musicians, and gear. Fred took us inside the venue to see his iconic drum set. As you know, it is an eclectic set of vintage drums from the 1940s to the present. The drums are dusty, crusty, and beautiful. Scott told me no one is allowed to clean them or monkey with them in any way. Fred didn't want the "Mojo" disturbed. I was able to sit behind them. Fred sits very low on his stool. I did not so much as tap on the heads, but it was tempting to thump the big double bass drums.
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Hal Blaine, playing his “Monster Set”.
One element that characterized Blaine’s drum sound was the lower tuning he used, which became the standard drum sound on rock recordings. “I came along at a time when drummers tuned their drums real high in pitch—real tight,” Blaine said in an April 1981 Modern Drummer cover story. “A lot of that was for technique so they could get a lot of ‘bounce to the ounce,’ so to speak. I tuned drums down to a normal, mid-range. I worked for many singers who liked the sound of my drums. When I started in the studios, some engineers would say, ‘You better tighten those drums up,” but the producers would say, ‘Don’t tell him what to do. We’re going for a different sound here.’”
Blaine also expanded his kit beyond the standard four- or five-piece drumsets that everyone was using at the time. “My set had 12 drums, which no one had ever heard of,” Blaine told Modern Drummer. “It really was a major change, which makes me very proud. I wanted a full, bigger spectrum of sound to be able to do more with drums.” He worked with Howard Oliver to build a larger set, which was soon marketed by Ludwig as the Octaplus. One of many songs on which that kit was featured was “Cherokee People” by Paul Revere & the Raiders.
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Everywhere you turn these days, someone is talking about, writing about or demonstrating something they cheerfully call "Moeller". But here's the thing -- there appears to be a lot of different techniques being presented as Moeller. So I decided to see if I could get to the bottom of the apparent confusion, and here's what I found out about our friend "Gus" and his teachings.
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Outlining is the technique of playing a rhythmic pattern with one hand while filling in the 'missing' notes with the other hand. (Actually, any two limbs/voices/instruments will work.) The concept is simple, is easy to learn and has great pay-back
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Legendary drummer Hal Blaine, who recently turned 90, will be celebrated in his hometown of Holyoke, Massachusetts at Holyoke Community College’s Leslie Phillips Theater on Feb. 27 at 7 p.m.
Read moreThis drum was on EBay about 13-15 years ago. It was an early morning (1 am) ending auction so I waited up for it and sniped it right at the end. The drum was found in a closet at the Long Island Grotto #44 Masonic Lodge in Brooklyn, New York. There was a name pin that came with the drum so I googled Walter T. Morris, Long Island Grotto #44 and made some phone calls but no one was interested in helping me with the history of Walter T. Morris so I’m just reporting what I have in front of me.
Read moreDrummer Nigel Olsson has been playing and recording with Elton John since 1970. He has performed in concert with Elton over 2,500 times. Nigel, the consummate showman, is always smiling. On stage, he is impeccably dressed with a shirt, tie and, trademark white gloves. Joining with Ray Cooper and John Mahon, they were a complete rhythmic force unlike any other. With a long and impressive resume… Nigel has played with The Spencer Davis Group, Uriah Heep, and as a first-call studio drummer. His credentials also include time with Rod Stewart, Linda Ronstadt, and Kiki Dee.
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