one of my “Holy Grail” snare drums was finally located and has entered the Curotto Collection. This is the only one that I have ever seen or heard of. The only reference that I am aware of is on page 4 of the 1934 Slingerland Drum Company catalog.
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I didn’t go looking for a story when I bought this drum kit. At the time, I thought I was simply stepping into vintage drums more intentionally than I ever had before.
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The color is so vibrant and bright it was shocking once I cleaned all the dirt off.
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Want to sell your gear the old fashioned way? Advertise in NSMD. Also you can let NSMD handle the whole sale on a consignment basis.
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In 1975 I purchased a chrome over wood Slingerland kit that I travelled extensively with over the next 11 years. This was a monster kit with a 28x14 bass drum,
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Lipskin Special Models were not catalogued so we can assume that they were made for a dealer.
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This is the story of a Slingerland Radio King drum kit that I spent many years piecing back together. It originally belonged to Benny Barth, a renowned jazz drummer from Indianapolis and one of the most influential drummers of his time.
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I got this *Clamshell Sea Green Pearl Radio King a few Chicago Shows ago from my good friend and fellow collector Joe Luoma.
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These two drums came from my good friend and fellow collector Mark Cooper. Mark passed away last year and I miss his friendship, sense of humor and the great drum deals that we did over the last 15+ years. I was able to get some great snare drums from Mark. Rest in peace my friend.
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The most interesting part of this drum is the uncatalogued finish that I call “Rainbow Sprinkles”. It looks like a “coral” enamel base with multi-colored specks on top. I have never seen or heard of another Slingerland drum with this finish.
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I was privileged enough to receive two very special Limited Edition Radio King first serial number 1s of 50 of the 5“ x 14“ vintage black and gold lacquer and the 7” x 14” black diamond pearl wrap snare drums. -Ed Tucker
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Here is a rare Slingerland snare that has a very interesting story of metamorphosis.
It first appears in the 1959 catalog as a “New Brass Shell Snare Drum” showing in either clear lacquered brass or chrome plating.
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"The Broadcaster was evidently a forerunner of the Radio King, the strainer is a very early Radio King style strainer and the lugs do not have inserts. (The tension rods thread directly into the lugs.) The muffler was the single-pad style Harold R. Dodd muffler."
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Most of these drums have 10 brass wood screws or 10 brass brads on the top bearing edge that are in line with the tube lugs and are there to allow the brass ring of the Tone Flange to seat. This drum is a tad different, there are12 brass brads that do not line up with the lugs (see photo). I also noticed a difference in the internal attachment hardware. On Slingerland snares of this era there is usually a washer, a lock washer and a screw. This drum has a larger washer, smaller washer, lock washer and a screw for the lugs, 3 point strainer and butt plate.
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You are looking at a one owner 1968 4-piece Slingerland Brass & Black Badge, w COB Rims, Milk Chocolate Interior “Modern Jazz Outfit” No. N9 in Light Blue Pearl in absolutely remarkable condition! 12” tom, 14” floor, 20” bass, 5” x 14” 8-Lug “Buddy Rich Artist Model” snare. All ordered and born together with all the original period Zildjian Cymbals including a 20” ride, 18” crash and 14” hi-hats.
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The engraving pattern is based on the engraving pattern that was used on the 1928 Slingerland Gold Plated Artist Models
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When I acquired this drum a few weeks back it arrived in its original hard case but it was missing the brass flange, ring and bearing edge screws. A friend suggested I ask Mike Curotto.
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The Ludwig & Ludwig catalog of 1937 offered a Super -Ludwig Drum outfit consisting of a 14”x28” single tension bass drum, 5”x14” Super-Ludwig snare drum in “Abalone Pearl,” plus various other traps and cymbals, but no ‘separate tension’ tom toms. Slingerland, however, did offer separate tension tom toms in its 1936 (and presumably 1937) catalog in “Abalone Pearl.”
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In the beginning of Japan’s rise of drum making in the early 60’s all of the major manufacturers in one form or another used Slingerland’s styling in the making of their own drums. Some of these companies were simply inspired and a few crossed the line into infringement, either way Slingerland just let it happen
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Recently a “drums for sale” post popped up on my Facebook page listed on a drum sellers group. It included two 70s WMP Slingerland kits configured as a Buddy Rich kit
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